The temporary cafe, initially expected to debut over the holidays, opened at 11 a.m. today. It was so popular, drawing a line of about 200 people, the store temporarily shuttered. It was expected to reopen later in the day, according to a representative at Spectrum Center.
The cafe is housed in a bedazzled steel shipping container — refurbished with pink and white Hello Kitty hues. The menu features a limited assortment of cookies, pastries and pint-sized cakes, as well as hot and cold beverages.
Signature drinks include strawberry mint lemonade, peach iced tea and passion fruit tea. Espresso drinks feature coffee sourced from award-winning local roaster Portola Coffee Lab. Menu prices range from $4 to $11.50 for desserts, and $3 to $5.50 for beverages. (Note: Coffee comes only in a 16 oz. size. Sorry skim fans, but only whole milk is served here.)
Every item on the menu pays homage to the pop icon, first introduced to the world 42 years ago. Pastries are topped with Hello Kitty-shaped shortbread cookies, or bows. Plastic water bottles ($3) are bow-shaped. Hello Kitty’s face is stenciled with cocoa powder on the milk foam of latte drinks.
Allan Tea, managing partner of the cafe, said the container will stay at the Irvine mall for a year before moving on to its next location. Tea and Sanrio marketing representative David Marchi said Sanrio and the Irvine Co. are in negotiations to bring the first U.S.-based brick and mortar Hello Kitty Cafe to Irvine.
Sanrio has other themed cafes in other countries. But there’s no brick and mortar cafe dedicated exclusively to Hello Kitty in the United States, Marchi said. “This (pop-up) is the first of its kind,” he said.
Over the last 12 months, the Hello Kitty food truck has parked at the center twice, triggering throngs of shoppers. The turnout prompted Sanrio to choose the Spectrum as home base for its first Hello Kitty pop-up cafe.
“We know we have a huge fan base here,” Marchi said.
The cafe does not sell savory dishes — only desserts. Some merchandise such as ceramic mugs and T-shirts also will be sold at the cafe, located at the Giant Wheel Court at the mall.
The first 50 customers each day through Sunday will get a limited edition key chain.
i09 (by Rob Bricken):
The idea of a live-action American remake of the seminal anime movie Akira has always seemed like a disaster in the making to me, and the fact that the movie has languished in various forms of development hell seems to corroborate that idea. But after seeing this concept art of Chris Evans and Joseph Gordon-Levitt in the Kaneda and Tetsuo roles, I almost want to change my mind.
The art comes from director Ruairí Robinson, who was attached in one of the film’s many, many incarnations. Apparently, he shared it back in 2014, but it was Bloody Disgusting who let the rest of the internet know, and I thank them, because look at this:
Robinson has several more pics and storyboards here, if you’re so inclined. And, if you start feeling like you’re truly sad the world was robbed of this adaptation, it’s worth remembering that awesome concept art does not a quality film make (although it certainly helps). Also, JGL’s Tetsuo was going to be named “Travis,” so I wouldn’t necessarily shed any tears.
RocketNews 24 (by Meg Murphy):
The Red Turtle may have no dialogue, but if that hasn’t stopped viewers from saying wonderful things about it.
Produced by Toshio Suzuki, a long-time colleague of famous Ghibli director Hayao Miyazaki, and directed by London-based Dutch animator Michaël Dudok de Wit, the film The Red Turtle (in French La Tortue Rouge and in Japanese Reddo Taatoru: Aru Shima no Monogatari) premiered at the 69th Cannes Film Festival on May 18, to much excitement from the crowd. Reports state that the excitement could be felt from viewers as soon as Studio Ghibli’s well-known Totoro logo appeared on the screen, and that the film received a huge standing ovation at its end.
“I’m so happy,” said Suzuki, “Of course, I would be quite sad if there was no one left at the end of the film (laughs).”
Director Dudok de Wit commented, “There were about a thousand people in this huge theatre, and they were all so focused on the film. I don’t think I’ve felt anything so amazing before.”
The film has no dialogue, and is Studio Ghibli’s first European co-production, with German film distributor Wild Bunch. It “follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds,” according to IMDb.
If you haven’t already caught it, here’s the official trailer for the film:
Ever wondered what Munch’s The Scream or Vermeer’s Girl with a Pearl Earring might look like if done in modern day Japan? If so, then this book is for you!
Eshi de Irodoru Sekai no Meiga by publisher Side Ranch is a new coffee table book that fuses the artistic sensibilities of centuries-old painters with those of modern illustrators from the manga, anime, and video game worlds of Japan.
In total, 43 masterpieces from the likes of Monet, Picasso, and Van Gogh have been re-imagined by 43 different Japanese commercial artists, including smartphone game illustrator Kina Haruka and character designer for Medabots (Medarot in Japan) Rin Horuma. Classic Japanese artists like Utagawa Kuniyoshi and Tawaraya Sotatsu are also given an updated look in this book.
Each full page illustration is accompanied by a look at the original work and a commentary by the illustrator.
Eshi de Irodoru Sekai no Meiga will hit bookstores in Japan on 26 May for 2,200 yen (US$20). The first customers to buy over-the-counter may also receive a postcard depicting an interpretation of Johannes Vermeer’s The Milkmaid.
It’s always fun to see pop culture and high culture collide in colorful ways like this book. So why not pick up a copy and brush up on both art history and current illustrators in Japan. We’ll leave you with a partial list of some of the works covered.
■ Girl with a Pearl Earring – Johannes Vermeer, c. 1665
■ The Gleaners – Jean-Francois Millet, 1857
■ Sunflowers – Vincent Van Gogh, 1888
■ The Scream – Edvard Munch, 1893
■ Les Demoiselles d’Avignon – Pablo Picasso, 1907
■ The Snake Charmer – Henri Rousseau, 1907
■ The Milkmaid – Johannes Vermeer, c. 1657
■ The Birth of Venus – Sandro Botticelli, c. 1485
■ Primavera – Sandro Botticelli, c. 1482
■ Ophelia – John Everett Millais, 1852
■ Tahitian Women on the Beach – Paul Gauguin, 1891
■ The Night Watch – Rembrandt van Rijn, 1642
■ Fujin Raijin-zu – Tawaraya Sōtatsu, c. 1650
■ Takiyasha the Witch and the Skeleton Spectre – Utagawa Kuniyoshi, c. 1844
■ The Kiss – Gustav Klimt, 1908
■ Le Divan Japonais – Henri de Toulouse-Lautrec, 1892
■ Woman with a Parasol: Madame Monet and Her Son – Claude Monet, 1875
Source: Dream News