“Wonder Woman”, which absolutely smashed box office expectations earlier this month, is undeniably one of the most badass movies of this year. But aside from the incredible Amazon-like victory of the story and crew who made it possible, most will particularly remember Wonder Woman’s hard-hitting theme which first played when Diana, Princess of Themyscira, lept onto the screen in full armor back in “Batman v Superman: Dawn of Justice”.
For that, we have 31-year-old Grammy-nominated cellist and electric cellist Tina Guo to thank.
Her music has been featured in films like “Sherlock Holmes”, “Inception”, “Iron Man”, “Fast Five”, “X-Men: First Class”, and dozens more including television shows and video games, according to Inuth. Guo has also been featured on hundreds of albums with artists such as John Legend, Ciara, David Archuleta, and Big K.R.I.T.
Despite heavy involvement from the U.S. military, the Korean War is often referred to as “the forgotten war” because of its relatively low profile in history, according to military historians.
A new film, “Operation Chromite,” is spotlighting one of the key figures of the war, United States Gen. Douglas MacArthur. Liam Neeson portrays MacArthur in the film and is joined by two major Korean actors, Bum Soo Lee and Jung Jae Lee, in telling the story of the amphibious landing at Incheon, which the filmmakers say was one of the most consequential moments of the war. The movie, which makes its American debut on Aug. 12, opened at number one in South Korea, according to Variety.
“[MacArthur] is a very well-known and respected figure in South Korea,” Bum Soo Lee told NBC News. “There may be people who have different ideologies in Korea, but overall the Korean people appreciate and respect what [General MacArthur and the US military] did.”
Liam Neeson, center, portrays Gen. Douglas MacArthur in “Operation Chromite,” a new movie about the Korean War.
He added that the events portrayed in the film, and the people behind them, are directly responsible for the growth of South Korea, noting that the South Korean soldiers had been on the verge of giving up a key military stronghold when MacArthur executed the Incheon landing operation.
“The Battle of Incheon and the landing operation cut the supply chain of the North Korean military and soldiers, and that contributed a lot to turning the tide of the war,” he said. “That lead to building democracy in South Korea and contributed to the economic growth that we’re seeing to this day.”
Bum Soo Lee, center, in “Operation Chromite”
Bum Soo Lee plays the villain of the film, a North Korean spy, while Jung Jae Lee is a South Korean commander who infiltrates the North Korean army. Both actors emphasized to NBC News the research and preparation they did for the film.
“What we as actors, as well as the director, focus so much on is speaking towards the truth,” Bum Soo Lee said. “This movie is based on a true event, on history. There was a lot of pressure on our shoulders because we were telling the story of these unsung heroes, who sacrificed themselves in the war, and we really wanted to pay respect to them.”
Jung Jae Lee added that the same was true for Neeson. “[Neeson] created new scenes and suggestions that were incorporated because he really tried his best to depict the real character,” Jung Jae Lee said. “The amount of effort he put into the character was really impressive.”
Jung Jae Lee said that he believes “Operation Chromite” represents a step toward greater collaboration between Hollywood and the Korean movie industry.
“These days you see a lot of Hollywood movies open in advance in Korea, and big actors coming to promote their movies in Korea,” he said. “I can’t say there are a lot of Korean actors working in Hollywood, but the few we do already have are doing a great job in TV and movies. I believe that we’ll be able to see more of that in the near future.”
It’s not every day that the cast of an upcoming ensemble film—like the women-led Ocean’s 8project—is as good as the one you dream-cast in your head. But EW confirmed Wednesday that Warner Bros. is finalizing a coterie of stars that includes Sandra Bullock, Cate Blanchett, Helena Bonham Carter, Rihanna, Anne Hathaway, Mindy Kaling, and Awkwafina a.k.a. rapper and comedian Nora Lum. That last name might not mean as much to the masses as, say, RiRi or Bellatrix Lestrange—at least not yet—but here’s why you should get excited anyway.
Her claim to fame is a hilarious viral video
Awkwafina made waves on the internet with 2012’s “My Vag,” a response to Mickey Avalon’s “My Dick” that she first wrote and recorded on GarageBand when she was 19.
You’ve definitely seen her before
She had a hilarious turn as one of the Kappa Nu sisters in this year’s Neighbors 2: Sorority Rising, but she’s popped up on screen in a few other places, like as a co-host of MTV’s Girl Code Live and as a subject of the Tribeca Film Festival documentary Bad Rap, about Asian-Americans in hip-hop.
She’s got a classic New York origin story
Awkwafina grew up in Queens, studied music at the famed LaGuardia High School for the performing arts, and later graduated with a journalism degree from SUNY Albany in 2011. At LaGuardia, she planted the seeds for what would become Awkwafina with her own mock news show. “I used to chop up C-Span soundbites or interviews with politicians like John Kerry or Bill Clinton into a radio-esque show hosted by Awkwafina and her producer, Mookie,” she told The Daily Dot in 2014. “I would pitch down my vocals to have male guests, and would send them to a small circle of friends after they were done.”
She specializes in LOL-worthy raps
Really funny—her 2014 debut, Yellow Ranger, saw her take on Brooklyn hipsters and gentrification with songs like the title track (“Shout out to Greenpoint, Kielbasa in the oven/Greenpoint, where all the bitches look like Lena Dunham”) and “NYC Bitche$” (“New York City bitch, that’s where I come from/not where I moved to on Mom and Dad’s trust fund”). Some of the tracks are fairly New York-centric—“Mayor Bloomberg (Giant Margarita)” was inspired by Michael Bloomberg’s “soda ban”—but that won’t stop non-residents from enjoying them.
Her latest jam features a legendary comedian
She and Margaret Cho, who’s no stranger to re-working that Mickey Avalon song herself, teamed up earlier this year for “Green Tea,” which pokes fun at Asian stereotypes. “I remember watching Margaret Cho with my grandmother on TV,” Awkafina told the blog Angry Asian Man, which premiered the video. “She was my hero, not only because she was funny, but because she showed me that it’s okay to be yourself, that it’s okay to be a brash yellow girl, and to be a strong and brave woman.”
Constance Wu has had it with Hollywood’s white savior complex.
The Fresh Off the Boat actress and two-time Television Critics Association Awards nominee posted a pointed letter to Twitter Friday, in which she criticized the whitewashing of Chinese history with the casting of Matt Damon in 2017’s action epicThe Great Wall and called for Hollywood to change the narrative.
“We have to stop perpetuating the racist myth that only a white man can save the world,” Wu wrote one day after the trailer debut for The Great Wall, which features Damon as its dragon-slaying lead. “It’s not based in actual fact. Our heroes don’t look like Matt Damon. They look like Malala. (Gandhi). Mandela. Your big sister when she stood up for you to those bullies that one time.”
Wu went on to challenge the argument that it’s hard to finance and profit from movies that aren’t toplined by white talent, and urged studios to consider the message tacitly communicated by scores of films that revolve around white heroes and struggling communities of color.
“Money is the lamest excuse in the history of being human,” she wrote. “So is blaming the Chinese investors. (POC’s choices can based on unconscious bias too.) Remember it’s not about blaming individuals, which will only lead to soothing their lame ‘b-but I had good intentions! but…money!’ microaggressive excuses. Rather, it’s about pointing out the repeatedly implied racist notion that white people are superior to POC and that POC need salvation from our own color via white strength. When you consistently make movies like this, you ARE saying that.”
Wu also questioned why projects starring entertainers of color aren’t given the benefit of the doubt — or the latitude to fail — that is afforded to projects starring white actors.
“If white actors are forgiven for having a box office failure once in a while, why can’t a POC sometimes have one? And how COOL would it be if you were the movie that took the ‘risk’ to make a POC as your hero, and you sold the (expletive) out of it?! The whole community would be celebrating! If nothing else, you’d get some mad respect (which is WAY more valuable than money) so MAKE that choice.”
The actress punctuated the call to action by invoking the importance of representation, particularly for children whose dreams may expand or contract based on the images they see, which are still decidedly limited according to Hollywood’s announced 2016 slates.
“If you know a kid, you should care too,” Wu argued. “Because we WERE those kids. Why do you think it was so nice to see a nerdy white kid have a girl fall in love with him? Because you WERE that nerdy white kid who felt unloved. And seeing pictures of it in Hollywood’s stories made it feel possible. That’s why it moved you, that’s why it was a great story. Hollywood is supposed to be about making great stories. So make them.”
“Godzilla: Resurgence” marks a number of firsts in the kaiju franchise. The film’s a hard reboot, meaning that it depicts Godzilla’s first destructive encounter with humanity for a whole new generation. It’s also the first “Godzilla” film produced by Toho Co., Ltd. in twelve years. Now a new trailer for “Godzilla’s” big return/debut, which is titled “Godzilla: Resurgence” in the United States, has been released.
The new film comes from directing team Hideki Anno (“Evangelion”) and Shinji Higuchi (“Attack on Titan”). Anno also wrote the script, which features the largest Godzilla in movie history. Now Godzilla stands 389 feet fall, making him even taller than Hollywood’s most recent take.
Godzilla enjoyed an American reboot with 2014’s “Godzilla” directed by “Rogue One: A Star Wars’” Gareth Edwards, which grossed more than half a billion dollars worldwide. A sequel is currently in development and is scheduled to arrive June 8, 2018.
“Shin Godzilla” stomps its way into Japan’s theaters on July 29, 2016. No U.S. release date has been announced.