NBC News (by Stephany Bai):
Despite heavy involvement from the U.S. military, the Korean War is often referred to as “the forgotten war” because of its relatively low profile in history, according to military historians.
A new film, “Operation Chromite,” is spotlighting one of the key figures of the war, United States Gen. Douglas MacArthur. Liam Neeson portrays MacArthur in the film and is joined by two major Korean actors, Bum Soo Lee and Jung Jae Lee, in telling the story of the amphibious landing at Incheon, which the filmmakers say was one of the most consequential moments of the war. The movie, which makes its American debut on Aug. 12, opened at number one in South Korea, according to Variety.
“[MacArthur] is a very well-known and respected figure in South Korea,” Bum Soo Lee told NBC News. “There may be people who have different ideologies in Korea, but overall the Korean people appreciate and respect what [General MacArthur and the US military] did.”
He added that the events portrayed in the film, and the people behind them, are directly responsible for the growth of South Korea, noting that the South Korean soldiers had been on the verge of giving up a key military stronghold when MacArthur executed the Incheon landing operation.
“The Battle of Incheon and the landing operation cut the supply chain of the North Korean military and soldiers, and that contributed a lot to turning the tide of the war,” he said. “That lead to building democracy in South Korea and contributed to the economic growth that we’re seeing to this day.”
Bum Soo Lee, center, in “Operation Chromite”
Bum Soo Lee plays the villain of the film, a North Korean spy, while Jung Jae Lee is a South Korean commander who infiltrates the North Korean army. Both actors emphasized to NBC News the research and preparation they did for the film.
“What we as actors, as well as the director, focus so much on is speaking towards the truth,” Bum Soo Lee said. “This movie is based on a true event, on history. There was a lot of pressure on our shoulders because we were telling the story of these unsung heroes, who sacrificed themselves in the war, and we really wanted to pay respect to them.”
Jung Jae Lee added that the same was true for Neeson. “[Neeson] created new scenes and suggestions that were incorporated because he really tried his best to depict the real character,” Jung Jae Lee said. “The amount of effort he put into the character was really impressive.”
Jung Jae Lee said that he believes “Operation Chromite” represents a step toward greater collaboration between Hollywood and the Korean movie industry.
“These days you see a lot of Hollywood movies open in advance in Korea, and big actors coming to promote their movies in Korea,” he said. “I can’t say there are a lot of Korean actors working in Hollywood, but the few we do already have are doing a great job in TV and movies. I believe that we’ll be able to see more of that in the near future.”
Entertainment Weekly (by Nolan Feeney):
It’s not every day that the cast of an upcoming ensemble film—like the women-led Ocean’s 8 project—is as good as the one you dream-cast in your head. But EW confirmed Wednesday that Warner Bros. is finalizing a coterie of stars that includes Sandra Bullock, Cate Blanchett, Helena Bonham Carter, Rihanna, Anne Hathaway, Mindy Kaling, and Awkwafina a.k.a. rapper and comedian Nora Lum. That last name might not mean as much to the masses as, say, RiRi or Bellatrix Lestrange—at least not yet—but here’s why you should get excited anyway.
Her claim to fame is a hilarious viral video
Awkwafina made waves on the internet with 2012’s “My Vag,” a response to Mickey Avalon’s “My Dick” that she first wrote and recorded on GarageBand when she was 19.
You’ve definitely seen her before
She had a hilarious turn as one of the Kappa Nu sisters in this year’s Neighbors 2: Sorority Rising, but she’s popped up on screen in a few other places, like as a co-host of MTV’s Girl Code Live and as a subject of the Tribeca Film Festival documentary Bad Rap, about Asian-Americans in hip-hop.
She’s got a classic New York origin story
Awkwafina grew up in Queens, studied music at the famed LaGuardia High School for the performing arts, and later graduated with a journalism degree from SUNY Albany in 2011. At LaGuardia, she planted the seeds for what would become Awkwafina with her own mock news show. “I used to chop up C-Span soundbites or interviews with politicians like John Kerry or Bill Clinton into a radio-esque show hosted by Awkwafina and her producer, Mookie,” she told The Daily Dot in 2014. “I would pitch down my vocals to have male guests, and would send them to a small circle of friends after they were done.”
She specializes in LOL-worthy raps
Really funny—her 2014 debut, Yellow Ranger, saw her take on Brooklyn hipsters and gentrification with songs like the title track (“Shout out to Greenpoint, Kielbasa in the oven/Greenpoint, where all the bitches look like Lena Dunham”) and “NYC Bitche$” (“New York City bitch, that’s where I come from/not where I moved to on Mom and Dad’s trust fund”). Some of the tracks are fairly New York-centric—“Mayor Bloomberg (Giant Margarita)” was inspired by Michael Bloomberg’s “soda ban”—but that won’t stop non-residents from enjoying them.
Her latest jam features a legendary comedian
She and Margaret Cho, who’s no stranger to re-working that Mickey Avalon song herself, teamed up earlier this year for “Green Tea,” which pokes fun at Asian stereotypes. “I remember watching Margaret Cho with my grandmother on TV,” Awkafina told the blog Angry Asian Man, which premiered the video. “She was my hero, not only because she was funny, but because she showed me that it’s okay to be yourself, that it’s okay to be a brash yellow girl, and to be a strong and brave woman.”
USA Today (by Jaleesa M. Jones):
Constance Wu has had it with Hollywood’s white savior complex.
The Fresh Off the Boat actress and two-time Television Critics Association Awards nominee posted a pointed letter to Twitter Friday, in which she criticized the whitewashing of Chinese history with the casting of Matt Damon in 2017’s action epic The Great Wall and called for Hollywood to change the narrative.
“We have to stop perpetuating the racist myth that only a white man can save the world,” Wu wrote one day after the trailer debut for The Great Wall, which features Damon as its dragon-slaying lead. “It’s not based in actual fact. Our heroes don’t look like Matt Damon. They look like Malala. (Gandhi). Mandela. Your big sister when she stood up for you to those bullies that one time.”
Wu went on to challenge the argument that it’s hard to finance and profit from movies that aren’t toplined by white talent, and urged studios to consider the message tacitly communicated by scores of films that revolve around white heroes and struggling communities of color.
“Money is the lamest excuse in the history of being human,” she wrote. “So is blaming the Chinese investors. (POC’s choices can based on unconscious bias too.) Remember it’s not about blaming individuals, which will only lead to soothing their lame ‘b-but I had good intentions! but…money!’ microaggressive excuses. Rather, it’s about pointing out the repeatedly implied racist notion that white people are superior to POC and that POC need salvation from our own color via white strength. When you consistently make movies like this, you ARE saying that.”
Wu also questioned why projects starring entertainers of color aren’t given the benefit of the doubt — or the latitude to fail — that is afforded to projects starring white actors.
“If white actors are forgiven for having a box office failure once in a while, why can’t a POC sometimes have one? And how COOL would it be if you were the movie that took the ‘risk’ to make a POC as your hero, and you sold the (expletive) out of it?! The whole community would be celebrating! If nothing else, you’d get some mad respect (which is WAY more valuable than money) so MAKE that choice.”
The actress punctuated the call to action by invoking the importance of representation, particularly for children whose dreams may expand or contract based on the images they see, which are still decidedly limited according to Hollywood’s announced 2016 slates.
“If you know a kid, you should care too,” Wu argued. “Because we WERE those kids. Why do you think it was so nice to see a nerdy white kid have a girl fall in love with him? Because you WERE that nerdy white kid who felt unloved. And seeing pictures of it in Hollywood’s stories made it feel possible. That’s why it moved you, that’s why it was a great story. Hollywood is supposed to be about making great stories. So make them.”
“Godzilla: Resurgence” marks a number of firsts in the kaiju franchise. The film’s a hard reboot, meaning that it depicts Godzilla’s first destructive encounter with humanity for a whole new generation. It’s also the first “Godzilla” film produced by Toho Co., Ltd. in twelve years. Now a new trailer for “Godzilla’s” big return/debut, which is titled “Godzilla: Resurgence” in the United States, has been released.
The new film comes from directing team Hideki Anno (“Evangelion”) and Shinji Higuchi (“Attack on Titan”). Anno also wrote the script, which features the largest Godzilla in movie history. Now Godzilla stands 389 feet fall, making him even taller than Hollywood’s most recent take.
Godzilla enjoyed an American reboot with 2014’s “Godzilla” directed by “Rogue One: A Star Wars’” Gareth Edwards, which grossed more than half a billion dollars worldwide. A sequel is currently in development and is scheduled to arrive June 8, 2018.
“Shin Godzilla” stomps its way into Japan’s theaters on July 29, 2016. No U.S. release date has been announced.
George Takei on Star Trek creator Gene Roddenberry: “He was a strong supporter of LGBT equality,” recalls Takei, now 79. “But he said he has been pushing the envelope and walking a very tight rope — and if he pushed too hard, the show would not be on the air.”
The Hollwyood Reporter (by Seth Abramovitch):
Star Trek has lived long and prospered for studio home Paramount, spawning six TV series and 13 feature films. True to its title, the latest big-screen outing, Star Trek Beyond, has gone where none have gone before: Star John Cho — who assumes the Sulu mantle for the third time in the reboots — has told Australia’s Herald Sun that the character is revealed to be gay.
The idea came from Simon Pegg, who plays Scotty in the new films and penned the Beyond screenplay, and director Justin Lin, both of whom wanted to pay homage to Takei’s legacy as both a sci-fi icon and beloved LGBT activist.
And so a scene was written into the new film, very matter-of-fact, in which Sulu is pictured with a male spouse raising their infant child. Pegg and Lin assumed, reasonably, that Takei would be overjoyed at the development — a manifestation of that conversation with Roddenberry in his swimming pool so many years ago.
Except Takei wasn’t overjoyed. He had never asked for Sulu to be gay. In fact, he’d much prefer that he stay straight. “I’m delighted that there’s a gay character,” he tells The Hollywood Reporter. “Unfortunately, it’s a twisting of Gene’s creation, to which he put in so much thought. I think it’s really unfortunate.”
Takei explains that Roddenberry was exhaustive in conceiving his Star Trek characters. (The name Sulu, for example, was based on the Sulu Sea off the coast of the Philippines, so as to render his Asian nationality indeterminate.) And Roddenberry had always envisioned Sulu as heterosexual.
Proving that is not so simple a matter, however. Sulu never had an onscreen love interest duringStar Trek‘s initial three-season run. He did mention a daughter, Demora, who appeared in 1994’s Star Trek Generations, the seventh film in the series (she was played by Jacqueline Kim).
But the only reference to how Demora was conceived appears in a secondary canonical source: the 1995 Star Trek novel The Captain’s Daughter. “It was, to put it crudely, a one-night stand with a glamazon,” Takei explains. “A very athletic, powerful and stunningly gorgeous woman. That’s Demora’s mother.”
Takei first learned of Sulu’s recent same-sex leanings last year, when Cho called him to reveal the big news. Takei tried to convince him to make a new character gay instead. “I told him, ‘Be imaginative and create a character who has a history of being gay, rather than Sulu, who had been straight all this time, suddenly being revealed as being closeted.’” (Takei had enough negative experiences inside the Hollywood closet, he says, and strongly feels a character who came of age in the 23rd century would never find his way inside one.)
His timeline logic, however, is enough to befuddle even the most diehard of Trek enthusiasts, as the rebooted trilogy takes place before the action of the original series. In other words, assuming canon orthodoxy, this storyline suggest Sulu would have had to have first been gay and married, only to then go into the closet years later.
Not long after Cho’s bombshell call came another, this one from Lin, again informing him that Sulu was indeed to be gay in Star Trek Beyond. Takei remained steadfastly opposed to the decision.
“I said, ‘This movie is going to be coming out on the 50th anniversary of Star Trek, the 50th anniversary of paying tribute to Gene Roddenberry, the man whose vision it was carried us through half a century. Honor him and create a new character. I urged them. He left me feeling that that was going to happen,” Takei says.
After that, all was quiet from Beyond until a few months ago, when Takei received an email from Pegg “praising me for my advocacy for the LGBT movement and for my pride in Star Trek,” he says. “And I thought to myself, ‘How wonderful! It’s a fan letter from Simon Pegg. Justin had talked to him!’” Takei was certain the creative team had rethought their decision to make Sulu gay.
That is until one month ago, when he received an email from Cho informing him that the actor was about to embark on an international media tour for Beyond. Cho said it was bound to come out that his character was gay, and “what should he do?” A disappointed Takei told Cho to go about his promotional duties, but that he was “not going to change” his mind on the matter.
“I really tried to work with these people when at long last the issue of gay equality was going to be addressed,” Takei says. “I thought after that conversation with Justin that was going to happen. Months later, when I got that email from Simon Pegg, I was kind of confused. He thinks I’m a great guy? Wonderful. But what was the point of that letter? I interpreted that as my words having been heard.”
Takei for his part is hoping to take Sulu in new directions as well, potentially on CBS’ upcomingStar Trek series, slated to premiere in January and co-run by Alex Kurtzman and Bryan Fuller, who is openly gay.