NBC News (by Stephany Bai):
Despite heavy involvement from the U.S. military, the Korean War is often referred to as “the forgotten war” because of its relatively low profile in history, according to military historians.
A new film, “Operation Chromite,” is spotlighting one of the key figures of the war, United States Gen. Douglas MacArthur. Liam Neeson portrays MacArthur in the film and is joined by two major Korean actors, Bum Soo Lee and Jung Jae Lee, in telling the story of the amphibious landing at Incheon, which the filmmakers say was one of the most consequential moments of the war. The movie, which makes its American debut on Aug. 12, opened at number one in South Korea, according to Variety.
“[MacArthur] is a very well-known and respected figure in South Korea,” Bum Soo Lee told NBC News. “There may be people who have different ideologies in Korea, but overall the Korean people appreciate and respect what [General MacArthur and the US military] did.”
He added that the events portrayed in the film, and the people behind them, are directly responsible for the growth of South Korea, noting that the South Korean soldiers had been on the verge of giving up a key military stronghold when MacArthur executed the Incheon landing operation.
“The Battle of Incheon and the landing operation cut the supply chain of the North Korean military and soldiers, and that contributed a lot to turning the tide of the war,” he said. “That lead to building democracy in South Korea and contributed to the economic growth that we’re seeing to this day.”
Bum Soo Lee, center, in “Operation Chromite”
Bum Soo Lee plays the villain of the film, a North Korean spy, while Jung Jae Lee is a South Korean commander who infiltrates the North Korean army. Both actors emphasized to NBC News the research and preparation they did for the film.
“What we as actors, as well as the director, focus so much on is speaking towards the truth,” Bum Soo Lee said. “This movie is based on a true event, on history. There was a lot of pressure on our shoulders because we were telling the story of these unsung heroes, who sacrificed themselves in the war, and we really wanted to pay respect to them.”
Jung Jae Lee added that the same was true for Neeson. “[Neeson] created new scenes and suggestions that were incorporated because he really tried his best to depict the real character,” Jung Jae Lee said. “The amount of effort he put into the character was really impressive.”
Jung Jae Lee said that he believes “Operation Chromite” represents a step toward greater collaboration between Hollywood and the Korean movie industry.
“These days you see a lot of Hollywood movies open in advance in Korea, and big actors coming to promote their movies in Korea,” he said. “I can’t say there are a lot of Korean actors working in Hollywood, but the few we do already have are doing a great job in TV and movies. I believe that we’ll be able to see more of that in the near future.”
Hiroshima on Saturday marked the 71st anniversary of the U.S. atomic bombing, with Mayor Kazumi Matsui calling on world leaders to do more to abolish nuclear weapons and to follow U.S. President Barack Obama’s historic visit to the city in May with trips of their own.
At a memorial ceremony, Prime Minister Shinzo Abe echoed Matsui’s call and also urged young people to visit to observe the harrowing reality of the atomic bombing. Abe also reiterated Japan’s role in combating nuclear proliferation as the only country to have been attacked with nuclear weapons.
In the Peace Declaration read at the city’s annual memorial ceremony, Matsui urged the leaders of all nations to visit Hiroshima, which was devastated by an atomic bomb on Aug. 6, 1945, and Nagasaki, which was obliterated by another atomic strike three days later by the United States, in order to “etch the reality of the atomic bombings in each (leader’s) heart.”
Matsui then called on the world to “unify and manifest our passion in action” to proceed toward a world free of nuclear weapons.
A moment of silence was observed at 8:15 a.m., the time the atomic bomb exploded over Hiroshima at an altitude of about 600 meters, killing an estimated 140,000 people by the end of 1945. A second atomic bomb was dropped on Nagasaki on Aug. 9 that year, and Japan surrendered six days later, effectively ending the war.
Prime Minister Shinzo Abe emphasized the importance of maintaining and enhancing the Nuclear Non-Proliferation Treaty that binds its signatories not to pursue atomic weapons programs.
Abe also said he will maintain his efforts to create a world free of nuclear weapons by asking both nuclear-weapon and non-nuclear-weapon states for cooperation, and by showing world leaders and young people the painful reality of radiation exposure.
During the ceremony, a message from U.N. Secretary-General Ban Ki-moon was also read out by a representative.
“Today, the world needs the hibakusha spirit more than ever,” at a time when “global tensions are rising” and progress on nuclear disarmament is “hard to find,” the message said, adding that nuclear powers “have special responsibility to prevent another Hiroshima,”
Ban urged all nations to “find common ground through inclusive dialogue.”
The ceremony was attended by representatives from 91 nations, including recognized nuclear weapons states such as Britain, France, the United States and Russia. The European Union was also represented.
The number of hibakusha stood at 174,080 as of March, and their average age was just over 80 years old.
USA Today (by Jaleesa M. Jones):
Constance Wu has had it with Hollywood’s white savior complex.
The Fresh Off the Boat actress and two-time Television Critics Association Awards nominee posted a pointed letter to Twitter Friday, in which she criticized the whitewashing of Chinese history with the casting of Matt Damon in 2017’s action epic The Great Wall and called for Hollywood to change the narrative.
“We have to stop perpetuating the racist myth that only a white man can save the world,” Wu wrote one day after the trailer debut for The Great Wall, which features Damon as its dragon-slaying lead. “It’s not based in actual fact. Our heroes don’t look like Matt Damon. They look like Malala. (Gandhi). Mandela. Your big sister when she stood up for you to those bullies that one time.”
Wu went on to challenge the argument that it’s hard to finance and profit from movies that aren’t toplined by white talent, and urged studios to consider the message tacitly communicated by scores of films that revolve around white heroes and struggling communities of color.
“Money is the lamest excuse in the history of being human,” she wrote. “So is blaming the Chinese investors. (POC’s choices can based on unconscious bias too.) Remember it’s not about blaming individuals, which will only lead to soothing their lame ‘b-but I had good intentions! but…money!’ microaggressive excuses. Rather, it’s about pointing out the repeatedly implied racist notion that white people are superior to POC and that POC need salvation from our own color via white strength. When you consistently make movies like this, you ARE saying that.”
Wu also questioned why projects starring entertainers of color aren’t given the benefit of the doubt — or the latitude to fail — that is afforded to projects starring white actors.
“If white actors are forgiven for having a box office failure once in a while, why can’t a POC sometimes have one? And how COOL would it be if you were the movie that took the ‘risk’ to make a POC as your hero, and you sold the (expletive) out of it?! The whole community would be celebrating! If nothing else, you’d get some mad respect (which is WAY more valuable than money) so MAKE that choice.”
The actress punctuated the call to action by invoking the importance of representation, particularly for children whose dreams may expand or contract based on the images they see, which are still decidedly limited according to Hollywood’s announced 2016 slates.
“If you know a kid, you should care too,” Wu argued. “Because we WERE those kids. Why do you think it was so nice to see a nerdy white kid have a girl fall in love with him? Because you WERE that nerdy white kid who felt unloved. And seeing pictures of it in Hollywood’s stories made it feel possible. That’s why it moved you, that’s why it was a great story. Hollywood is supposed to be about making great stories. So make them.”
Resonate (by Cohan Chew):
Next year will mark the annual competition’s 65th year in the running and will be the third time that the pageant will be hosted in the Philippines.
Wanda Teo, the Tourism Secretary of the Philippines announced that the Miss Universe 2017 pageant will be held in the country on 30 January 2017.
“We have a president who comes from Mindanao, and our Miss Universe is from Mindanao, so I think this is the best time for us to do the Miss Universe here in the Philippines… I would like to inform everybody that the Miss Universe beauty pageant will be on January 30, 2017 here in the Philippines.”
Teo also assured that the Filipino government “is not going to spend a single centavo” on the international pageant. “It will be the private sector that will shoulder the expenses,” the Tourism Secretary said, citing a budget of $11 million.
Reigning Miss Universe, Pia Wurtzbach, was the third Filipino woman to win the award since the pageant’s inception in 1952. Previous Filipino winners were Margie Moran in 1973 and Gloria Diaz in 1969. The Philippines has hosted the competition twice before, in 1974 and 1994.
Representing the Philippines will be Maxine Medina,a 25-year-old interior designer who has been modelling since 2008, in next year’s pageant. She will attempt to succeed Wurtzbach, the first Filipino woman to win the title in over four decades.