Pixar Animation Studio‘s first human protagonist of color made his debut on the big screen Thanksgiving week in “Sanjay’s Super Team,” directed by Pixar supervising animator and storyboard artist Sanjay Patel.
The short film opened for “The Good Dinosaur,” directed by Peter Sohn.
Patel told NBC News that, growing up, he felt embarrassed by his identity and tried to fit into mainstream American culture. But as an adult, he came to appreciate the richness of the culture his father was trying to pass on to him.
“Sanjay’s Super Team” is a seven-minute short film inspired by Patel’s experiences growing up as the child of immigrants in a modest motel along Route 66. The titular Indian-American boy would rather be daydreaming about television superheroes than praying and doing puja with his father. However, the Hindu deities soon transform into a team of dazzling superheroes in the boy’s imagination, bringing him closer to understanding his immigrant father and his place in America.
Before this film, Patel’s father had not seen any of the movies Patel had worked on in his almost 20 years at Pixar, so the studio invited him to watch the film when it was completed. Patel told NBC News that his father was very moved — he was obviously proud of his son’s achievements but was particularly touched to see a film about their relationship.
Sanjay Patel, director of new Pixar short “Sanjay’s Super Team”
In addition to Patel’s work as an animator at Pixar, whose credits include “A Bug’s Life,” “Toy Story 3,” “Monsters, Inc.,” and “The Incredibles“, what drew Pixar’s attention to Patel’s developing storytelling skills was his work writing and illustrating children’s books like “Ganesha’s Sweet Tooth” and “Ramayana – Divine Loophole,” and his art exhibitions including “Deities, Demons, and Dudes with ‘Staches” at the Asian Art Museum in San Francisco.
There are millions of people living in Tokyo, and most of them moved from somewhere else to Tokyo in order to find work in the bustling city. Among these millions is a large number of people who choose to forgo a long commute and live on their own in a tiny apartment, so we’re sure many share very similar experiences at home.
A whimsical CG film entered in the 17th DigiCon6 ASIA Supreme Short Movie Contest has captured a ton of popularity for its animation style, which many say is reminiscent of a Pixar movie. But what really sets it apart is the fact that the short film shares Pixar’s playfulness as well.
Created by Takuya Okada, this short movie starts off with a normal “end of the day” scene that we imagine any officer worker in Tokyo would recognize, but it soon turns into a magical journey through a runaway imagination.
These dream-like sequences are probably a product of a worker’s incredibly tired mind, since we all know how long the average office worker’s day is. Still, it’s a treat to see the crazy adventures that play out in our mind animated in such an exciting way! The 17thDigiCon6 ASIA Supreme Short Movie Contest is being run by TBS in Japan and this particular short film is an audience choice entry. Voting ends on November 6, so if you enjoyed watching it, make sure you give it your support on their voting page (click the pink box).
You can also check out Takuya Okada’s YouTube page for other videos.
Like many little girls, Auli’i Cravalho of Oahu wanted to be a Disney princess.
“From baby time to now, I wanted to be a Disney princess and then I wanted to be a singer or an actress,” the 14-year-old recalls.
But when Disney Animation began searching for a girl to voice the lead in its next princess movie Moana– about a young teen from 2,000 years ago who sets sail to fulfill her ancestors’ quest – Cravalho didn’t think she was good enough to audition.
“I was getting through my freshman year, and there were already so many great submissions over YouTube,” the 14-year-old Native Hawaiian tells PEOPLE, which features an exclusive first look at the movie in this week’s issue.
Good thing a fairy godmother (a.k.a. an Oahu casting agent) was looking out for Cravalho. After the agent discovered the teen’s singing talents during a charity competition, Cravalho was whisked off to Los Angeles, where directors Ron Clements and John Musker (The Little Mermaid, Aladdin cast her opposite Dwayne Johnson in the animated film, set for release on Nov. 23, 2016.
“Moana is such an amazing character,” says Cravalho, who lives in the town of Mililani with her mother, Puanani. “She’s brave, she is so empowered, she knows what she wants and she’s not afraid to get it, and I think that’s something that I can relate to as well. I just love watching how she goes along in this wonderful movie and grows as a person and helps her culture along the way.”
Cravalho is especially excited to work alongside Johnson, who will play a demigod named Maui whom Moana encounters during her travels.
The Independent (UK):
Ghost in the Shell may well be one of the most beloved anime in history. Its compelling story, engaging characters and beautiful art all combine to make one of the most exciting franchises we can name, so it’s little surprise that 25 years after its release, the film remains a fan favorite to this day.
In celebration of the first film and the entire franchise, a special product has been announced: a limited-edition series of ukiyo-e prints featuring images from Ghost in the Shell! But when we say limited-edition, we really do mean limited — only 300 copies will be made!
And they won’t come cheap either…
Pictured above is the first ukiyo-e to be produced by OtakuWorks Inc., based on the poster for the original Ghost in the Shell movie directed by Mamoru Oshii. The image will be printed on Japanese paper produced by “living national treasure” Ichibe Iwano, a ninth-generation master of Echizen paper. The prints will also bear the signature of Hiroyuki Okiura, the artist who created the original poster.
Only 300 copies will be made, and you can pre-order one of your own right now for only 43,200 yen (US$370 for pre-orders for those living outside Japan). Pre-orders will be open until the end of November or until all 300 prints have been claimed. We have a feeling they won’t make it until the end of November…
The next image in the series will be of the poster for the most recent film, Ghost in the Shell: The Movie, which was released in Japan this June. Pre-orders for the second ukiyo-e print are expected to be announced soon.
It seems both odd and yet somehow fitting that such a futuristic series is receiving such a traditional treatment. If nothing else, it reflects the very human mind wrapped up in the cybernetic body of the original film.