8 Asian-American actors who deserve WAY more onscreen love…

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BRIT + CO (by Dene Chen):

The popularity of Star Trek Beyond has basically guaranteed mainstream fandom for a franchise that was once considered geeky and alternative — now, we can even wear our trekkie status on our nails! What’s also great is that the stars have used their larger platform to speak up about issues that are important to them, like Zoe Saldana’s struggle with an autoimmune disease.

For John Cho, who portrays Sulu, a universally beloved character, this has been a time to talk about diversity — or the lack thereof — in Hollywood. “I just didn’t see anyone on TV who looked like me, and then I saw George Takei being cool and piloting the spaceship on television,” Cho recently said on The View. “And I thought that, wow, there’s a beacon for me.”

While things are a little bit better now on TV concerning diversity (though if the bar was so low before, how can you go anywhere but up?), there are still many in Hollywood who tooootally should be getting more work. Lucy Liu and John Cho are well-known names now — here’s hoping that Hollywood gives the following Asian actors more face-time onscreen.

1. Constance Wu:

Entertainment Weekly & People Upfronts Party 2016 - Arrivals

She is hilarious on Fresh Off the Boat and has been very vocal about the white-washing that happens in Hollywood. Wu is talented and beautiful — this should be a no-brainer.

 

2. Steven Yuen:

AMC At Comic-Con 2016 - Day 2

Yuen is notable not only for playing a main character for The Walking Dead, but for being one of the few onscreen love interests in Hollywood played by an Asian male. This may sound ridiculous, but since Asian men are often desexualized in mainstream American media, Yuen’s portrayal of Glenn as a total badass who is considered hot AF is actually groundbreaking. It shouldn’t be though. But first, we need to see him in more stuff.

3. Jake Choi:

2016 Tribeca Film Festival After Party For Wolves At No.8 - 4/15/16

This Queens native has a versatility that is showcased on his IMDB page — a stint on Broad City, an arc on Younger and a role in Wolves, the basketball drama starring Carla Gugino and Michael Shannon which opened earlier this year. Fingers crossed we see more of him.

4. Rahul Kohli:

Comic-Con International 2016 - "iZombie" Press Line

Are we including South Asians on this list? Yes we are, because representation is important. Also, because Rahul Kohli from iZombie is a handsome human being who needs to be on TV more.

5. Anna Akana:

AOL Build Speaker Series - Anna Akana, "Miss 2059"

You might recognize her by her brief appearance at the end of Ant-Man, but many are more likely to know her from her YouTube fame. Akana is a real self-made star, and her witty and sometimes poignant videos have reached more than 1.5 million subscribers.

6. Priyanka Chopra:

2016 ABC Upfront

This woman is goals when it comes to her red carpet style and her classic updos. But Chopra was already a huge star in India before Quantico gave her fame stateside.

7. Daniel Henney:

Hamilton Watch And LA Confidential Present The 2014 Hamilton Behind The Camera Awards - Inside

Another actor who is more appreciated outside the US, Henney will hopefully get more recognition now that he is a series regular of a Criminal Minds spin-off, Beyond Borders.

8. Sendhil Ramamurthy:

"Covert Affairs" Panel - Comic-Con 2011

Luckily for us, this Heroes alum has been working steadily since the series ended in 2010, chalking up arcs in Covert Affairs and Beauty and the Beast.

 

USA Today: Constance Wu on Hollywood’s white savior problem: “Our heroes don’t look like Matt Damon”

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USA Today (by Jaleesa M. Jones):

Constance Wu has had it with Hollywood’s white savior complex.

The Fresh Off the Boat actress and two-time Television Critics Association Awards nominee posted a pointed letter to Twitter Friday, in which she criticized the whitewashing of Chinese history with the casting of Matt Damon in 2017’s action epic The Great Wall and called for Hollywood to change the narrative.

We have to stop perpetuating the racist myth that only a white man can save the world,” Wu wrote one day after the trailer debut for The Great Wall, which features Damon as its dragon-slaying lead. “It’s not based in actual fact. Our heroes don’t look like Matt Damon. They look like Malala. (Gandhi). Mandela. Your big sister when she stood up for you to those bullies that one time.”

Wu went on to challenge the argument that it’s hard to finance and profit from movies that aren’t toplined by white talent, and urged studios to consider the message tacitly communicated by scores of films that revolve around white heroes and struggling communities of color.

Money is the lamest excuse in the history of being human,” she wrote. “So is blaming the Chinese investors. (POC’s choices can based on unconscious bias too.) Remember it’s not about blaming individuals, which will only lead to soothing their lame ‘b-but I had good intentions! but…money!’ microaggressive excuses. Rather, it’s about pointing out the repeatedly implied racist notion that white people are superior to POC and that POC need salvation from our own color via white strength. When you consistently make movies like this, you ARE saying that.”

Wu also questioned why projects starring entertainers of color aren’t given the benefit of the doubt — or the latitude to fail — that is afforded to projects starring white actors.

If white actors are forgiven for having a box office failure once in a while, why can’t a POC sometimes have one? And how COOL would it be if you were the movie that took the ‘risk’ to make a POC as your hero, and you sold the (expletive) out of it?! The whole community would be celebrating! If nothing else, you’d get some mad respect (which is WAY more valuable than money) so MAKE that choice.”

The actress punctuated the call to action by invoking the importance of representation, particularly for children whose dreams may expand or contract based on the images they see, which are still decidedly limited according to Hollywood’s announced 2016 slates.

If you know a kid, you should care too,” Wu argued. “Because we WERE those kids. Why do you think it was so nice to see a nerdy white kid have a girl fall in love with him? Because you WERE that nerdy white kid who felt unloved. And seeing pictures of it in Hollywood’s stories made it feel possible. That’s why it moved you, that’s why it was a great story. Hollywood is supposed to be about making great stories. So make them.”

Hudson Yang of ‘Fresh Off the Boat’ and Aziz Ansari’s ‘Master of None’ nominated for NAACP Image Awards

NBC:

ABC‘s “Fresh Off the Boat” is loosely inspired by celebrity chef Eddie Huang‘s memoir of the same name and stars Hudson Yang as a young Huang, as well as Randall Park as his father, Louis, and Constance Wu as his mother, Jessica. Wu has been nominated for her role in “Fresh Off the Boat” in both the 2015 Critic’s Choice Television Awards and the Television Critics Association Awards.

On Dec. 1, “Fresh Off the Boat” released an in-character cast video and social media campaign under the hashtag #makeitrightFOTB lobbying for a Golden Globe nomination.

Among the nominees for the 47th annual NAACP Image Awards is “Master of None,” Aziz Ansari‘s Netflix series released earlier this fall. Co-creators Ansari and Alan Yang received a nomination for their writing of “Parents,” the second episode of the series, and Ansari was nominated for Outstanding Director for the same episode.

Kelvin Yu (left) talks with Aziz Ansari (right) in a scene in Netflix’s “Master of None.” 

“Parents” deals with second-generation main characters Dev, portrayed by Ansari, and Brian, portrayed by Kelvin Yu, thanking their first-generation parents for sacrifices made during their parents’ journeys to the United States. The pair take their parents out to dinner where they learn about their parents’ youth and upbringing.

The 47th annual NAACP Image Awards is scheduled to take place on Feb. 5, 2016.

20 celebrities you didn’t know were Asian

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Audrey Magazine (Ethel Navales):

Not all Asians look the same.  I repeat, not all Asians look the same. It seems no matter how many times we say it, people simply assume that all Asians share the same physical features. Some believe we all have the same body structure and others even think we all have the same kind of hair. Of course, we know this is absurd. We know that there are plenty of ethnicities which categorize under the umbrella term “Asian” and we know there are plenty of Asians who are of mixed race. So why do people think all Asians look the alike? Well it may have a thing or two to do with media’s portrayal of Asians. If audiences have only been exposed to a very particular type of Asian, how can they know we’re all different? This lack of exposure may be the very reason many celebs who are bi-racial or multiracial are often overlooked in the Asian community. Even if they don’t necessarily “look it,” all of the following celebrities are Asian.

Check out this list of 20 Asian celebs you probably didn’t know were Asian.

1)  Vanessa Hudgens from High School Musical is part Chinese and part Filipino.

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2)  Tiger Woods is part Thai.

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3)  Chad Michael Murray of One Tree Hill  is a quarter Japanese.

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4)  Dean Cain, superman of the TV series, Lois and Clark: The New Adventures of Superman is a quarter Japanese.

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5)  Nicole Scherzinger of PussyCat Dolls is half Filipino.

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6)  Keanu Reeves of The Matrix is a quarter Hawaiian and a quarter Chinese.

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7)  Darren Criss of the TV series Glee is half Filipino.

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8)   Ne-Yo is a quarter Chinese.

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9)  Tyga, the rapper, is half Vietnamese.

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10)  Maggie Q is half Vietnamese.

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11) Enrique Iglesias is half Filipino.

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12)   Piper Curda of the Disney Channel show I Didn’t Do It is part Korean.

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13)   Mark-Paul Gosselaar, aka Zack Morris of the 90’s hit TV show Saved By The Bell, is a quarter Indonesian.

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14) Kristin Kreuk of the TV series SmallVille and Beauty and the Beast is half Chinese.

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15) Kelsey Asbille Chow of the MTV series Teen Wolf  and The Amazing Spiderman is part Chinese.

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16)   Host of the TV show Lip Sync Battle and model, Chrissy Teigen is half Thai.

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17)  Rob Schneider of Grown Ups and The Hot Chick is a quarter Filipino.

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18) Chanel Iman, the Victoria Secret Angel and model is half Korean.

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19) Model Karrueche Tran is half Vietnamese.

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20) Bérénice Marlohe from the famous Bond series, SkyFall is part Cambodian and Chinese.

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– See more at: http://audreymagazine.com/20-celebs-you-didnt-know-were-asian/#sthash.71uqqXCc.dpuf

Ken Jeong moves to center stage on ABC comedy ‘Dr. Ken’

Ken Jeong: I Was an 'Intense' Doctor Before I Became an Actor

LA Times (by Greg Braxton):

Comedian Ken Jeong used to be a doctor in real life. Now he’s playing one on TV. The outrageous Jeong, who has been a reliable comedic sprinkle in movies (“The Hangover” franchise) and TV shows (“Community“), is moving to center stage with his own sitcom, ABC’s “Dr. Ken.”

Although Jeong is the main focus, he stressed that the series is an ensemble show with its settings in the medical office and his home.

It’s ensemble driven, with my life as a doctor serving as a building block,” said Jeong at a Television Critics Assn. press tour presentation.

When one reporter at the session pointed out that ABC was the same network that programmed the ill-fated “American Girl” with Margaret Cho 20 years ago, Jeong said that he was very involved in his show, both as a writer and a producer, and that Cho likely was not allowed that level of creative participation.

The series features Jeong as a brilliant physician whose bedside manner can be best described as “edgy.” Although he is trying to get better, his staff is always after him to be nicer. He’s also a devoted husband and father who is overprotective of his two children.

He jokingly referred to himself as a “second-generation Asian American Fred MacMurray,” referring to the classic father figure in the 1960s sitcom “My Three Sons.”

Jeong was a physician in an HMO several years ago, doing stand-up comedy on the side. He said he was very intense and serious as a doctor and that his patients were relieved when they learned that he had a sideline as a comedian.

They said, ‘It’s so good you have a hobby,’ ” Jeong said. When Judd Apatow cast him as a doctor in “Knocked Up,” Jeong won raves for his comic timing and persona.

“‘Knocked Up’ changed my life,” he said. His wife encouraged him to pursue show business full time.

Jeong is one of the executive producers and a writer for “Dr. Ken.”

Catch Joan Chen in the Netflix series ‘Marco Polo’

 Audrey Magazine:

Netflix’s elaborate original series Marco Polo was met with some criticism from the Asian American community for being an outsider’s fetishization of the East. But actress Joan Chen urges skeptics to look at it differently. “It’s such a great opportunity for so many Asian actors,” she says.

Other than the lead, Lorenzo Richelmy as Marco Polo, almost the entire cast is Asian or Asian American, with Benedict Wong as Kublai Khan, Rick Yune as the leader of the Golden Horde, Zhu Zhu as the Blue Princess, Chin Han as the villainous chancellor, Olivia Cheng as a suffering concubine with some tricks up her sleeve, and Claudia Kim (who was just named the first Asian face of cosmetics brand Bobbi Brown and can be seen in Avengers: Age of Ultron this May) as the warrior Khutulun.

I see how excited these kids are to work on this grand production,” says Chen. “They have dialect coaches and personal trainers, and this series gives them a year to work on their craft and express their talents. I think of it as completely positive.”

Chen has been acting since she was teenager in China, where she became a household name and was dubbed the “Elizabeth Taylor of China” for her role in 1979’s Little Flower. She was “discovered” twice. Legend has it that Madame Mao discovered her at a school rifle range, impressed by her skilled marksmanship. She was soon chosen for the Actors’ Training Program by the Shanghai Film Studio. At 20, she decided to move to the United States to study filmmaking. Though she had no connections in Hollywood, she was discovered again by legendary producer Dino De Laurentiis, who honked at her in a parking lot. His line was: “Did you know that Lana Turner was discovered in a drug store?

I was like, ‘Who’s this dirty old man?’” she remembers. “I didn’t talk. I just kept walking.”

He managed to convince her to take his card, and her managers couldn’t believe she had met the Dino De Laurentiis. She soon landed her first Hollywood role in 1986’s Tai-Pan. In the last three decades, she’s been juggling films in both China and the U.S., from the Oscar-winning Bernardo Bertolucci film The Last Emperor to the American cult TV series Twin Peaks, to big Asian productions like Ang Lee’s Lust, Caution and smaller Asian American indies like Saving Face. She’s also a writer and director in her own right, directing the feature films Xiu Xiu: The Sent Down Girl and Autumn in New York.

In Marco Polo, Chen plays Empress Chabi, Kublai Khan’s first and favorite wife. Though the creators researched the history for their fantastical story, there wasn’t much historical information on Empress Chabi to go on. So they worked with Chen to develop a more complex character who drives the plot and would be more fulfilling for the veteran actress to play.

The grand production, overseen by The Weinstein Company and reported to be one of the most expensive TV shows ever made, was shot mostly in Malaysia. “The costumes are made of real silk and ornaments,” adds Chen. “They’re so heavy that you know they didn’t spare a cent to make every detail luxurious.”

She also loved going to work and seeing all the stunt tents, where actors and martial arts performers trained every day. Though Empress Chabi doesn’t have a lot of action, Chen was able to learn some archery for some of her scenes. This brought her back to her days at her high school rifle range.

Even though they’re two different sports, there are some principles that are the same,” says Chen. “The way you aim, the breathing techniques, the way you use your cheek and how you use your body. I took it up pretty fast. But obviously, I could take a lifetime to learn it.”

Though she knows that the show is romanticized and operatic, she hopes viewers of Marco Polo enjoy it for that very reason. “It’s a visual feast,” she says. “In the beginning, you have to set up all these characters and the historical background, but by episode 10, it’s really powerful. It’s cooking. It’s hot.”

All episodes of Marco Polo are currently available on Netflix, and the series has been renewed for a second season

This story was originally published in Audrey Magazine’s Spring 2015 issue. Get your copy here.

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Haters Gonna Hate: An Interview with Constance Wu of “Fresh Off the Boat”

Haters Gonna Hate: An Interview with Fresh Off the Boat's Constance Wu

The Muse:

Constance Wu is living the dream of every up and coming actor—landing the lead on a hit sitcom on a major network with a rapt audience. But Wu’s role as Jessica Huang, Taiwanese mom of three boys on Fresh Off the Boat, is more than just a sweet gig—it’s historical, as FOTB is only the second Asian American-centric sitcom in 20 years after Margaret Cho‘s All-American Girl in 1994. Add to the pot the outspoken opinions of the show’s creator Chef Eddie Huang, who went from bashing the show to supporting it in a matter of days, Wu’s first big break is breaking color lines and studio systems. But the 26-year-old is taking all of it in stride because haters gonna hate, you know?

For your first sitcom, your comedic timing is great without trying too hard. How do you strike that balance with Randall Park, who plays your husband Louis Huang, and the three boys Hudson Yang, Forrest Wheeler and Ian Chen?

This is only the second comedy I’ve ever done and it didn’t work until I stopped trying to be funny. That’s the trap. Whenever you’re trying to be funny, it becomes cloying and manipulative. My goal with my performance is to be as true as possible.

People think that Jessica’s accent is funny but no one writes jokes about her accent. The humor comes from the writers giving me very funny situations and lines. What makes her so refreshing is that she has an accent and doesn’t know perfect English but she doesn’t think that’s a reason for her not to have a voice and a very loud one at that. That’s what’s interesting and fun about her and playing against Randall and the boys because we’re all just trying to have a good time and tell a specific story.

Speaking of the accent, some felt it was very controversial for you to portray Mrs. Huang with her Taiwanese accent. Why do you think accents in general are so divisive when it reflects actual humans?

Asians have been so rarely represented in mainstream media and historically, especially in the early stages, the accent was used as a humor tool with jokes written about it. But now I would challenge people who say that Jessica’s accent is stereotypical and ask what does that mean? An accent is not a stereotype, it’s just a set of linguistic phonetic changes that happen when your mother tongue has a different set of phonetic constraints than the newer language that you are now speaking. Stereotype enters when that accent is used for the purpose of humor. Of course there are people who are laughing at my character’s accent for very coarse reasons, but we aren’t writing jokes about the accent. It’s an important shift to make.

Recently, a lot of Asians actors want to neutralize their roles on television and say ‘This person is playing a character who happens to be Asian and that has nothing to do with their identity.’

That is a trend that is flying across all minorities, it seems…

My grandfather was an illiterate bamboo farmer and my dad really had to work himself up academically to get a full ride scholarship and a Ph.D in biology in America. He didn’t have a leg up anywhere, he had to work to get that. To even say that that type of journey has nothing to do with my place and opportunities now is dishonorable.

I don’t think that identity is purely determined by race and if a story wants to focus on other things that are important to the narrative, that’s great. But it’s not harmful to say that ethnicity plays an important part in identity and that that part of the story matters. It’s not fodder for humor, it’s just another unique and beautiful element of humanity. Hopefully, we celebrate that. And we’re also a comedy! We want that comedy to be great and warm in our show, which Randall and I both found important.

How’s Fresh Off the Boat been as your first TV experience, between participating in the first Asian American sitcom in 20 years and the tumultuous process creator Eddie Huang had making it?

Eddie and I are new to network television. Before this show I’d done one guest star on Law & Order when I was in college. The network system is established, so being a newbie in this already established constrained situation, we struggled to find our footing. There can be the danger of gratitude becoming complacency which Eddie wasn’t willing to let happen. I think he had to realize which battles he needed to lose in order to win the greater war of representation. Even for myself as an actor, there were certain parts that I was uncomfortable with in terms of lines I was given.

As someone new to television, I wasn’t sure how openly I was allowed to express my opinion. I certainly didn’t want to tread on the toes of people who have more experience than I but I didn’t want to let that inexperience be why my voice and opinion were not valid. Straddling that line was nerve-racking. I didn’t protest too much, instead I found a way within my character work to make it work.

Then last week I emailed our show runner Nahnatchka Khan about a live reading I gave in episode nine or ten. In the first takes, I was trying hard to be clever and improved these funny lines and then on the last take—the scene was with Hudson (Eddie’s character)—for the first time, I actually heard what Hudson said to me, which was ‘You did good mom,’ and I had a genuine response to it. So I emailed Nahnatchka and wrote ‘When I’m doing that series of takes and I’m trying really hard to be clever and funny, and I know that it came off, but if you don’t mind, could we use the last take because I have plenty of times during the series where I’m clever and funny. The last one was the only take in which I actually heard what Hudson was saying to me.’ She emailed me back like, ‘We did use one of your clever takes and we just re-watched it and you’re right. The last take you did was good and it was lovely for a different reason and if that really means something to you, we’ll change it.’

I was stunned because I thought, ‘She’s been doing this forever but this means something to me. So I’m gonna say it with as much respect as possible and if she says ‘No’ at least I tried.’ But she said yes and added ‘Don’t be afraid to ask things like that, I really want to run this with an open door.’ Because Eddie has been so vocal from the beginning—and in the beginning, maybe they didn’t listen to him as much—I think it’s making the system change a bit. People were quick to stigmatize the conflict that Eddie was expressing but that’s just people trying to do better and figuring out how. And of course he’s gonna be sensitive about the show, it’s about his family.

You spoke earlier of stereotypes and a bit of the Tiger Mom trope arises in your portrayal of Jessica Huang when she begins tutoring her three boys after school. Was that something you had to negotiate?

We have real source material in Jessica Huang. I don’t think I should play against a stereotype just to fight the war against stereotypes. Because I’m playing a role that carries the show and a character that has an arc, occasionally elements of Jessica’s personality do fall into a Tiger Mom stereotype. But I’m playing them because they are true to her, not because I am exploiting a stereotype. I’m never doing that. You have to serve the truth of the character and Jessica Huang does what she digs, whether or not it falls into a stereotype.

Chris Rock said that if Tom Hanks does a project, he’s free to fail, but if Denzel Washington does something, he’s representing the entire black race. How are you handling the pressure of being the first Asian American family on network television in 20 years?

I feel that pressure but it’s not something that’s manifesting itself in my work. Sure, there is a burden of representation but the burden shouldn’t be to represent every Asian ever. The burden is to represent an Asian story with as much truth as possible that it touches something in other people and strikes up a curiosity for an experience that is different than your own. Then that gets the ball rolling for others to make individual stories based in truth, intelligence and compassion. My job is not to give you a watered down McDonald’s version of an Asian family so that your next door neighbor thinks, ‘Oh they’re just like me.’ I’m not like freaking out, haters gonna hate, lovers gonna love. People like authenticity and courage, that’s why people like Eddie. Haters will always hate, they’ll see a beautiful flower and be like ‘Ugh, look at that flower!’

Fresh Off the Boat airs Tuesdays at 8/7 Central on ABC.

You will see more Asian guys on TV soon!

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Audrey Magazine:

Right now in Hollywood, it’s pilot casting season and (much to our delight) a lot of Asian American male actors are making headlines. Could this be the turn of the tide? Can we finally turn on the TV and regularly see Asian characters? We’ll have to wait and see. Although a number of shows have released information about their pilot, we will all have to wait until May for broadcast network channels to decide which shows to pick up and put on television. Needless to say, we have our fingers crossed for the shows which can bring forward Asian faces.

Apart from Daniel Wu’s Badlands, which has already been ordered directly to series by AMC, it is possible that none of the other pilots mentioned below will be picked up, but the rise in Asian American male actors being casted definitely gives us hope. Furthermore, they are being cast in roles that are substantial supporting roles or even leads. After all, it’s not just visibility that matters, but also the quality of representation.

Hopefully, we will hear about more pilot castings for talented Asian American actors in the upcoming months. For now, it’s heartening to see strides being made.

1. Daniel Wu

Image courtesy of LA TF

First up, there’s Hong Kong star Daniel Wu with his martial arts show Badlands, which cable network AMC has already ordered direct to series. Based very loosely on the Chinese tale Journey to the West, Wu stars as a “ruthless, well-trained warrior named Sunny” who goes on a journey with a young boy to find enlightenment. Wu will also serve as executive producer on Badlands. Only limited information about the series has been released, but we are definitely going to check it out once it airs on AMC.

 

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You Will See More Asian Guys on TV Soon

Screen Shot 2015-02-17 at 4.23.25 PM

Right now in Hollywood, it’s pilot casting season and (much to our delight) a lot of Asian American male actors are making headlines. Could this be the turn of the tide? Can we finally turn on the TV and regularly see Asian characters? We’ll have to wait and see. Although a number of shows have released information about their pilot, we will all have to wait until May for broadcast network channels to decide which shows to pick up and put on television. Needless to say, we have our fingers crossed for the shows which can bring forward Asian faces.

Apart from Daniel Wu’s Badlands, which has already been ordered directly to series by AMC, it is possible that none of the other pilots mentioned below will be picked up, but the rise in Asian American male actors being casted definitely gives us hope. Furthermore, they are being cast in roles that are substantial supporting roles or even leads. After all, it’s not just visibility that matters, but also the quality of representation.

Hopefully, we will hear about more pilot castings for talented Asian American actors in the upcoming months. For now, it’s heartening to see strides being made.

 


 

1. Daniel Wu

Image courtesy of LA TF

First up, there’s Hong Kong star Daniel Wu with his martial arts show Badlands, which cable network AMC has already ordered direct to series. Based very loosely on the Chinese tale Journey to the West, Wu stars as a “ruthless, well-trained warrior named Sunny” who goes on a journey with a young boy to find enlightenment. Wu will also serve as executive producer on Badlands. Only limited information about the series has been released, but we are definitely going to check it out once it airs on AMC.

 

2. Ken Jeong

Image courtesy of Korea Times

Before Ken Jeong popped out of a trunk in The Hangover series, he was a practicing doctor by day at Kaiser Permanente and an aspiring comedian at night. Now ABC has greenlit his comedy pilot Dr. Ken, which Jeong is set to star, write and executive produce. According to Variety, Jeong will “play a frustrated HMO doctor juggling his career, marriage and parenting, but succeeding at none of them.” If this gets picked up, perhaps ABC could form a one hour Asian American comedy block with Dr. Ken and Fresh off the Boat?

 

3. Brian Tee

Image courtesy of Zimbio

Brian Tee has been in a lot of movies and TV shows such as The Fast and the Furious: Tokyo Drift, The Wolverine and the upcoming  Jurrasic World movie. Now, he has been cast for the NBC pilot Love is the Four Letter Word, created by a fellow Asian American writer Diana Son. According to Deadline, Love is the Four Letter Wordchronicles the collision of race, sexuality and gender roles when three diverse couples put modern marriage to the test. Tee plays Adam, half of one of the three couples, a big, handsome man who is currently dating Sarah, a fellow attorney who shares his taste for sexual adventure, including three-ways with beautiful women.”

Asian Americans in lead roles in front of and behind the camera? Plus an Asian American male character who shatters the emasculated, subservient Asian male stereotype? We are swooning already.

 

4. Daniel Henney

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Daniel Henney has been cast in a Criminal Minds spinoff. According to Deadline,the proposed spinoff follows FBI agents helping American citizens who find themselves in trouble abroad, with Gary Sinise playing their boss, Jack Garrett. Henney will play charming family man Matt Simmons, an army brat who grew up abroad and really embraces the opportunity to explore different cultures. But first and foremost, he is the kind of guy you would follow into battle, and his split second profiling skills honed on the battlefield make him a crucial part of the team.”

Henney joins an illustrious cast that includes Tyler James Williams and Emmy-award winner Anna Gunn.

 

5. Albert Tsai

Image courtesy of Albert Tsai's Official Twitter Account

For those of you who didn’t see ABC’s shortlived critical darling Trophy Wife, Albert Tsai played the breakout character Bert, who was considered by many to be the best part of a very good show. Although the show was cancelled after one season, Albert Tsai is moving on and has been cast as Ken Jeong’s son in the Dr. Ken pilot. Another Asian American family on an ABC sitcom? Just maybe. Is it too early to start the petition for the Fresh off the Boat/Dr. Ken crossover? Probably not.

 

The importance of diversity, and ABC’s “Fresh Off The Boat”

IMDB TV:

Press Tour wouldn’t be Press Tour without a few stunningly thoughtless questions posed to panels of actors and producers.

Most of the terrible questions that get asked as part of the Television Critics Association’s press conferences don’t turn up in articles. We keep them as Press Tour war stories to be hauled out for our own entertainment later on. Plus, we’re all just trying to do our jobs here. Nobody’s perfect. Cover this beat long enough, and attend enough TCA events, and a person is bound to bungle a few questions. Besides, to the millions of folks who aren’t here, a minor gaffe at an industry event simply isn’t interesting.

But every now and again, someone sputters out a verbal air biscuit that leaves the room reeling while also speaking to a larger conversation about a show. This is precisely what happened Wednesday morning during the panel for “Fresh Off the Boat,” ABC’s midseason sitcom based on the bestselling memoir by celebrity chef Eddie Huang.  Starring Randall Park and Constance Wu,Fresh Off the Boat” is the only sitcom on television that stars Asian actors and captures one view of what it’s like to grow up Asian in America.

And what, some may ask, makes that experience unique among minorities? For the “Fresh Off the Boat” cast and producers, nearly all of whom were born in the U.S., it means getting a question like this in a forum where people really should know better: “I love the Asian culture. And I was just talking about the chopsticks, and I just love all that. Will I get to see that, or will it be more Americanized?”*

Yes. That happened.

This may be the most ignorant question spoken in this room in a long time,  but it also demonstrates why television desperately needs “Fresh Off the Boat” and more shows like it. Comedies and dramas that deftly employ universal themes and humor that resonate with the wider audience, featuring minority-led casts that don’t ignore said cast’s ethnicity, are still uncommon.  In fact, ABC is the home to more series featuring non-white leads than any other broadcast network. Think “black-ish,” “Scandal,” “Cristela,” and “How to Get Away with Murder.”

Amazingly, in 2015, ABC’s insistence on diversity is met with a sense of awe, and an implication that what the Alphabet network is doing is a bold experiment.

In the case of “Fresh Off the Boat,” maybe it is. Networks have a long history of waxing and waning on the diversity front, though the occasional industry-wide pushes for diversity every few seasons tends to benefit African American and, to a far lesser extent, Latino actors. “Cristela” and “black-ish” may not be monster hits, but they still have mass appeal, and are not required to divorce the culture of their characters from the story. Credit the success of Norman Lear‘s comedies in the ’70s, “The Jeffersons,” “Sanford and Son”, and just as significantly, “The Cosby Show” in the ’80s, for that.

Can you remember the last time a series gave us a view of life from an Asian American perspective? There was 1994′s “All-American Girl,” the short-lived and quickly whitewashed sitcom vehicle for Margaret Cho that nearly killed her. (It also aired on ABC.)  The show only focused on Cho’s character and her family briefly before revamping into a weak “Friends” clone, then disappearing altogether. For years after its demise, shows cast an Asian friend now and again, but it took until 2005 before audiences got a deeply complex, powerful Asian character in “Grey’s Anatomy‘s” Cristina Yang. So yes — there have been strides.

Then again, see: “2 Broke Girls.” As long as characters like Han Lee are still on TV, well, one can understand why somebody would think that it’s perfectly reasonable to ask a cast of Asian actors if their eating utensils will play a prominent role in a comedy about so much more than their cultural experience.

The thing is it’s important to have, for me, [is] a qualified support for the show, to make sure the show stays authentic, the show stays responsible to the book and the Asian community and people of color in America in general,” Huang explained to the TV reporters in the room. “I believe the show is doing that, and I believe the show is very strategic and smart in how it’s opening things up.”

In its first episode, “Fresh Off the Boat” dives into the absurdity that can be found when one moves from a large, multi-ethnic city (Washington D.C.) to a homogenous Florida neighborhood; the universal appeal of hip-hop to outsiders and its caché within the dominant culture; and the odd, clique-ish behavior that exists within suburbia. The same episode also shows what happens when its young central character,  Eddie Huang (played by Hudson Yang), gets slapped by a racial slur.

Through it all, the rap music-obssessed Eddie has the same concerns as any kid his age would have. He’s trying to fit in at his new school but he doesn’t eat the right food, or wear the right shoes. He just out there trying to survive. No wonder he idolizes Nas and Biggie Smalls — their music extols the virtues of hustling to get rich and getting over, ideals that many consider to be the at the heart of the American dream.

In America, I’m a foreigner because of my Korean heritage,” Cho once said. “In Asia, because I was born in America, I’m a foreigner. I’m always a foreigner.
Nowadays Cho is a personality known for her comedy and for her outspoken support of gender equality and LGBT rights. She’s currently a co-host of a TLC’s weekly series “All About Sex,” where she serves as the show’s expert on alternative sexuality.  With time, and more television series that expose viewers to artists like Cho and stories like the ones told in “Fresh Off the Boat” — American stories with a different flavor — the day will come when Asian culture is fully recognized as an aspect of American culture. On that day, nobody’s going to care about the chopsticks.