New comedy series “The Family Law,” based on Benjamin Law’s memoir, is Australia’s answer to Fresh Off The Boat”


Angry Asian Man:

Australia is getting its own TV version of Fresh Off The Boat. Based on the bestselling memoir by Benjamin Law, The Family Law is a drama-comedy series set on Queensland’s Sunshine Coast over one hot summer, following “a sprawling Chinese-Australian family of seven who are unlike any you’ve ever met.

The Family Law unfolds in the dysfunctional and hilarious world of the Law family — as seen through the eyes of 14-year-old Benjamin Law. As Benjamin dreams of soap opera stardom, his parents contemplate separation. Over the course of one unforgettable summer, the self-absorbed clarinet-playing teenager increasingly finds himself embroiled in other people’s dramas, usually with disastrous results.

The six-episode series premieres on January 14 on SBS. Here’s a trailer:

Chinese-Australian artist Ah Xian’s porcelain busts fuse artistic traditions

Ah Xian - Porcelain Beautiful Decay (by Hayley Evans):

Ah Xian is a Chinese-Australian artist whose beautiful porcelain busts explore the intersections between artistic tradition, cultural identity, and the body. Sculpting each statue in the likeness of his family members, Ah Xian paints over their dreaming faces with a cobalt blue glaze; tree branches grow across temples, flowers bloom over silent mouths, and necks and shoulders become geographies for mountains and lakes.

Drawing on an enduring fascination for the human form, Ah Xian’s creations exude a sense of mystery and otherworldliness, transcending history as embodiments of a living past: their very “skin” is made of materials used in traditional Chinese craft methods. Ah Xian’s intent, however, is not to show the disjunction between past and present, but rather how such heritages have ongoing relevance and meaning in the present-day world. As he states in an interview with Craft Australia:

When I think about human history and civilization, it always appears to be like a string: one extreme is old time and tradition; current and contemporary is the other. Interestingly, when we turn and join the two extremes together, it forms a perfect circle and creates a new language of art.

This is why I choose traditional materials and hand craft those materials; our ancestors have created and handed down to us such wealthy and brilliant art and culture heritage. Why don’t we use such a rich and meaningful deposit as our resources to develop and create our new art and culture?

When viewing Ah Xian’s work through a contemporary lens, there lies the potential criticism that his busts — like the porcelain vases that preceded them in the nineteenth century — evoke an imperialist form of exoticism; that is, just because they are objects of beauty, they speak to a tradition of cultural appropriation. Ah Xian, however, maintains that no matter what context in which porcelain is crafted, it is always a valuable and admired art form:

“Porcelain is beautiful and meaningful, not necessary just for meeting the exotic appreciation among some of the western people only, but for the whole human society, for every single human being, I believe.” 

Ah Xian is based in Sydney, where he has lived and worked for over two decades.

Check out Craft Australia’s fascinating interview with the artist to learn more about his work.

Ah Xian - Porcelain

Ah Xian - Porcelain

Ah Xian - Porcelain

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