Anime News Network:
Sailor Moon holds a unique place in the anime fandom as a common entry point for many 90s kids and introducing queer characters to children’s television.
Fan communities filled in the gaps for censored American version. Fans attracted to a show focusing on strong female friendship, romance, and super powers could turn to the internet and find what was missing, including the truth about the show’s characters.
In the latest episode of Vice’s American Obsession mini-documentary series, viewers can learn about some of the influence Sailor Moon had on LGBTQ+ kids growing up in the 90s. The documentary interviews cosplayers at last year’s Anime Expo, Viz Media‘s Charlene Igram, and other fans of the anime series.
Kwok Cheung Chow, a.k.a. Raymond Chow, a.k.a Shrimp Boy, at the Ghee Kung Tong headquarters in San Francisco in 2007.
Raymond “Shrimp Boy” Chow was convicted by a San Francisco jury Friday on 162 separate charges. Prosecutors painted a picture of him as a dangerous thug who ran a well-oiled crime machine dealing in drugs, illegal booze, and cigarettes—a heartless operator willing to murder in cold blood when necessary. As a result, Chow is likely facing life in prison, though he plans to appeal.
The conviction brought to an end nearly two years of legal wrangling and drama that was extensively followed by the local media. At one point, Chow’s lawyers made headlines by trumpeting court documents they said implicated local government officials in unethical behavior at best and criminal corruption at worst—though none have been formally charged.
Twenty-nine men and women, including Chow, were named in the initial charging documents—a lurid 137-page affidavit that included the now-convicted former State Senator Leland Yee‘s apparent aspirations as an international arms trafficker. The now-disgraced Yee pleaded guilty in 2015 to a single racketeering count centered around his alleged arms business and propensity for taking bribes from government agents. (He’s awaiting sentencing.)
I was closer than most to the case, covering it for a local magazine, a blog, and a weekly newspaper. I first met Chow at the San Francisco county jail, a soul-sucking compound in the belly of the city’s “tech district,” South of Market. The metal stools, thick glass windows, and ongoing clang of gates smashing shut made for onerous circumstances, but Raymond and I continued a dialogue throughout his trial. I always found him irreverent and upbeat—Chow’s longtime girlfriend told me after the verdict that he’s “insanely strong” and “very Buddha-like.”
He was willing to candidly discuss the government’s accusations, proclaiming his innocence and describing Ghee Kung Tong, the local organization the feds say was involved in all sorts of illegal activity, as a “private self-help group.” (Tongs are fraternal organizations for Chinese-Americans and are sometimes accused of being fronts for crime.)
It’s a weird way to get to know another human being, through glass and over a telephone, via conversations the government is likely recording and will almost certainly use against the prisoner if possible. “I don’t want to make friends like this,” Chow told me during one visit. He later offered to cook us dinner when he got out.
I have never shaken Shrimp Boy’s hand, but know more about his life than many of the people I talk with regularly on my current business reporting beat. That might have something to do with the way Chow throws out details of his life in a manner that seems almost reckless: During the trial, he admitted to doing blow, “cut[ting] someone up” at the age of nine (he details the experience in an unpublished memoir he shared with me), buying sex after getting out of prison, and even taking money from undercover FBI agents—though he maintained that he wasn’t taking the dough in return for overseeing criminal behavior of his alleged associates.
Chow has undeniable charisma. He’s big-mouthed and big-hearted and always (if you believe him) looking out for the immigrant community he’s a part of. According to those close to him, the man is broke enough that he had to live with relatives and his girlfriend upon getting out of prison in 2002, his most recent stretch in the federal pen. (Somehow, though, Chow always seemed to wear tailored, two-piece suits on the outside.) If he does have millions of dollars, even his lawyers have no idea where all the cash is—they took on this marquee client pro bono.
Chow is represented by the office of famous defense attorney J. Tony Serra, which is how I started covering him in March 2014. I was lucky: Curtis Briggs, an associate of Serra’s I had previously worked with, was angling to bring Chow on as a client. The man trusted me, and invited me over to listen to the call as he pitched Chow from their offices in San Francisco’s North Beach neighborhood—a building that reeked of weed. (“We do things differently,” one of Serra’s staffers told me.)
Tony Serra, right, an attorney for Raymond “Shrimp Boy” Chow, pictured at left, listens to speakers at a news conference in San Francisco, Thursday, April 10, 2014.
I watched and listened as Briggs, a tall, handsome ginger in a suit, reeled in Shrimp Boy. The lawyer worked with a frenetic intensity and passion, and as we waited for the call, Briggs and former-gangster-turned-community-leader Eli Crawford offered their take on the local character.
To hear Chow’s defenders and friends tell it, he’s a community worker of sorts—Crawford described how he and Chow had been giving talks to the city’s troubled youth. In Chow’s memoir, he writes about speaking to high schools, middle schools, and at-risk youth—all to stop kids from following in his footsteps. He also writes that he partnered with a local politician and organized a series of talks about Chinese culture and heritage, for which the city presented him with an award honoring his contribution.
Of course, Chow also has a history of criminal activities including armed robbery, arson, and assault. In his early days, he was a gang enforcer and describes in the book the surgical precision he deployed when hurting enemies. “Beating someone down for a living is a science, ain’t nothing random about it,” Chow writes. “You appraise the target for strengths and weaknesses…. Inflicting injury is a delicate balance, like a recipe you season to taste. You have to be able to evaluate the level of damage you’re doing while you work, and you can get pretty damned good at figuring in the cost of an injury right there, heat of the moment. Most importantly though, you have to know when to stop.”
Later, Chow claims in the unpublished book, he founded a band of home invaders that robbed people all over the Bay Area. He also claimed to have run a brothel and siphoned $250,000 in profits from that operation into a growing coke distribution business back in the 1980s.
But according to Chow and his supporters, that criminal life ended in the 1990s. Indicted on racketeering charges in 1992 and convicted in 1996, Chow was part of a massive case that sent an atomic shockwave through the West Coast crime world. The feds disrupted what might have eventually become the largest heroin trafficking ring in America: The crooks’ plan was to unify disparate gangs and start shipping in smack from the Golden Triangle in huge quantities.
Chow was released from prison in 2003 after cutting a deal with the feds and testifying against his former boss and mentor Peter Chong. (Chow claims in the memoir he had no choice because Chong betrayed him by paying for Chow’s lawyer to take a lavish trip to Macao, sending her off with $60,000 worth of designer handbags—and an agreement to drop Shrimp Boy as a client.)
At the time, Chow recalls in his memoir, the decision to testify against Chong challenged his view of the world. “Some 30 years before, as a child, I’d set out to become a gangster,” he writes. “I sacrificed 20 of those years—the prime of my youth—locked up, a key player in a world that completely vanished beneath my feet. All the gang leaders, dope pushers, scandalous ex-cons and tough guys I’d known were long forgotten and out of the game. Everybody I’d come up with in Chinatown had flipped or cooperated somehow. Once upon a time, they all believed in our code and lived by it. Now every last one had shattered it.”
Those claims may have contributed to Serra taking on Chow as a client, since the attorney doesn’t usually represent people who might be called snitches. “I represent a beautiful man who 12 years ago transcended a lifestyle most people never have the courage to walk away from,” the defense attorney told me when I was writing for San Francisco. “He experienced a true epiphany after prison and became a role model for many unfortunates. He has devoted his life since then to bona fide social causes.“
As a free man, Chow rubbed shoulders with celebrities, talking loudly and publicly of making a film about his life story. In 2006, after a community leader named Allen Leung was gunned down, Chow took over his post as top boss, or Dragon Head, of the Ghee Kung Tong. (Chow was convicted for arranging Leung’s murder on Friday.)
Raymond “Shrimp Boy” Chow with a man his girlfriend says was a federal undercover in 2011.
Federal prosecutors vigorously argued during the trial that Chow’s work in his community was nothing more than a disguise, offering him cover to oversee a group of old-school Chinatown thugs and their illicit money-making schemes. The gang allegedly trafficked drugs and untaxed hooch and smokes, plotted murders, laundered money.
For their part, Chow and his lawyers maintain the case is bigger than the one-time crook—and insist the investigation shed light on how power in San Francisco really works. They say Judge Charles Breyer was prejudiced against the defense from the start, chopping down their witness list from 48 to less than ten and refusing to consider evidence that implicated city officials. Briggs called Breyer an “attack dog whose sole job was to guard the elite’s secrets and to usher Chow as quickly as possible to life in prison.”
“It took a lot of balls to do this with America watching, but that is an indication of just how comfortable the people he is protecting really are, and it illustrates their time tested trust in him,” Briggs added.
Both Serra and Briggs have vowed to appeal, and Briggs argues they have a good shot, though Friday’s verdict was obviously a resounding win for the prosecutors—a victory observers were pretty much anticipating. As Stanford Law Professor Robert Weisberg told the San Francisco Chronicle, “If you have tapes that are perfectly consistent with informant testimony, then juries convict a great deal of the time.” He added that he expects the verdict to be upheld.
Whatever happens with the appeals, Chow is going to spend years behind bars, an environment he knows well by now. And the networks of local political power and crime he spent much of his life in will hum along without him. Shrimp Boy supposedly got his nickname from his grandmother in Hong Kong, who apparently believed that a pseudonym would protect the short kid from evil spirits.
Live out your fantasies of love-making in Japan’s bygone eras at this unusual love hotel in Osaka.
With pay-by the-hour systems and a focus on customer discretion, Japanese love hotels remain a private haven for couples who continue to live with their parents before, and in many cases during, marriage. While most of the country’s newer establishments can be identified by their gaudy, often castle-like, facades and over-the-top interiors, there’s one very special hotel in Osaka that retains all the classic retro charm from its opening year in 1963.
Whether you’d like to vamp it up on the elevated Edo-style balcony or inside the bright red-tiled retro bathroom, there are options for short 75-minute stays or longer overnight accommodations. To see all the rooms available, visit Hotel Fuki’s website for more details.
Angry Asian Man:
The feature documentary Off the Menu: Asian America, produced by CAAM and KQED, is a road trip to the kitchens, factories, temples and farms of Asian Pacific America that explores how our relationship to food reflects our evolving communities. From Texas to New York and from Wisconsin to Hawaii, award-winning filmmaker Grace Lee takes audiences on a journey using our obsession with food as a launching point to delve into a wealth of stories, traditions, and unexpected characters that help nourish this nation of immigrants.
This is not your typical food travelogue. If you missed the public television broadcast of Off the Menu: Asian America, the film is currently available for streaming in its entirety on PBS.org until January 5.
HBO has premiered the first of its two-part Mayweather/Pacquiao: At Last series. In the mini-documentary, HBO profiles its respective fighter in the mega-bout, Manny Pacquiao, as his May 2 showdown nears.
The first episode’s time frame spans as early as 2003, when Pacquiao’s boxing ascent was first recognized, to the superfight’s focal issues around negotiations. Once again, HBO’s beautiful production shines through in what is perhaps an Emmy-contending feature. Cameo appearances also occur from Mark Wahlberg and Robert Duvall, both in support of Pacquiao as he prepares to defeat his rival Mayweather.
Enjoy the episode above to get yourself prepared for the fight of our generation.
In 2013, we said hello to 16-year-old Kamala Khan. More commonly known as Ms. Marvel, Kamala Khan was Marvel’s very first Pakistani-American Muslim superhero. And if you were happy with just one Pakistani superhero, we have some good news. Three more are on the way!
11-year-olds Saadi, Amna and Kamil star in Pakistan’s very first full-length feature animated film, 3 Bahadur. The title, which translates to “three brave,” is quite a fitting description for our young heroes. When the three children suddenly acquire superpowers, they decide to rid their city of all the evil that plagues it.
The film was created by Pakistan’s first Oscar winner, Sharmeen Obaid-Chinoy. In addition to her Academy Award (which she won for her documentary Saving Face), Obaid-Chinoy also has an Emmy, a Livingston Award and was named one of Time Magazine’s 100 most influential people in 2012.
“Almost 3 years ago, I had an intense desire to create an animated feature in Pakistan which would appeal to Pakistani children everywhere,” Sharmeen Obaid-Chinoy told NBC News. “As a nation, we have stopped producing quality content for our children. All of our content is imported and thus our youth grows up with mentors and heroes that are far removed from what they see around them in real life.”
Obaid-Chinoy had made it clear that she hopes to inspire the youth of Pakistan. In fact, the official website, which features exclusive content and releases weekly comic strips, allows children to submit stories which showcase their own “bahadury.” These inspiring tales will be considered for publication on the official website.
“3 Bahadur is not just a movie. It is a movement,” Obaid-Chinoy explained. “The message we’re sending with this film is that ‘We shall overcome.’ Like these three kids (film main characters), we can face the challenges that come our way. You don’t need to be a superhero. You are a superhero.”
In a recent documentary on film and its components, Tony Zhou breaks down the innate understanding of famed Japanese filmmaker Akira Kurosawa. Regarded as one of the most influential figures in the world of cinema, Kurosawa directed 30 films during his 57-year-long career. Zhou opens the clip by asking what is the first thing looked for when judging a shot, “Is it balance, leading lines, golden ratio, color, light or shapes?”
All of which are noted as being essential in the production of effective cinema, but none more so than movement.
Kurosawa was famed for his use of movement within that of what he produced, offering a masterclass into the differences within motion and how to effectively combine them. From the resonance of using it in the background to the importance of it as a focal point, Tony Zhou along with others discuss the importance of such a factor and how Kurosawa mastered its application.
Check out the video above to discover a little more about such an influential figure and his embrace of movement.