A closer look at Asian American night markets: Ramen Burgers & Kimchi Fries calore

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Audrey Magazine:

Ramen burgers, kimchi fries and pho tacos. Stinky tofu. Spiral-cut fried potato skewers sprinkled with a variety of seasonings. And balls — lots and lots of balls: curry fish balls, fried yam balls, takoyaki squid and octopus balls, kimchi fried rice balls with DMZ sauce, gourmet rice balls with honey Sriracha, crispy tofu balls covered with Vietnamese green crisped rice and spicy orange aioli. Truly, the wealth of options at an Asian American night market can be overwhelming for an attendee. After all, we only have one stomach.

Last October’s OC Night Market — the latest extension of the 626 Night Market that has since branched out from Southern California’s San Gabriel Valley (home of the 626 area code) into downtown Los Angeles and Orange County — was filled with over 200 vendors competing with each other for the attention of 60,000 potential customers. Sometimes that involved shouting Korean BBQ menu items from a loudspeaker or flashing eye- catching disco lights; sometimes it took three half-naked Asian girls encouraging onlookers to buy delicious Vietnamese coffee. But the most effective and envied form of attraction was a long line of customers, signifying the food must be worth the wait.

Though many Asian countries have their versions of outdoor food markets — from Singaporean hawker centres to Korean pojangmacha — the term “night market” was popularized in Taiwan, where these nighttime food markets still remain a key attraction for foreign tourists visiting the country, eager to experience the noisy atmosphere, crowded food stalls, mouth-watering smells and cheap eats that you consume on the spot (or while walking in search of your next snack). According to Taiwan’s government information site, food bazaars that operated at night in ancient China were originally called ghost markets, and contemporary-style night markets began to appear in Taiwanese cities during the turn of the century, when the government actively set aside blocks of streets for permanent night markets.

For Asian immigrants and their second-generation children, night markets elicit fond memories. “I always remember visiting the night markets with my family and friends to eat all different kinds of food,” says Jonny Hwang, the founder of 626 Night Market, who was born in Taiwan but immigrated to the U.S. when he was a child. So when his family relocated to Alhambra, a suburb of Los Angeles with a large Chinese and Taiwanese immigrant population, he wondered, why didn’t they have one?

There are tons of little businesses and good restaurants, but they all have Chinese menus and signage, so it can be very foreign and intimidating to outsiders,” he says. “Because so much good food is hidden, I thought a night market would be a great showcase for the talent and entrepreneurs in the area.

Hwang had heard of a couple successful night markets in Vancouver, as well as previous attempts to start a night market in Southern California that didn’t work out. Assuming it had to do with the challenges working with health departments and government agencies, he and his partners went straight to different cities of the San Gabriel Valley with a night market proposal, figuring that if they had the government backing them, the entire process would be a lot easier.

At first, most of the cities in the area were not interested. “The people running their events recreation departments didn’t even know what night markets were, because they weren’t Asian,” says Hwang. “Which is kind of sad, because they serve a very Asian population. They were used to doing their Lunar New Year Festivals, so they figured they already had an Asian event.”

Pasadena was the only place that was interested, because they happened to have an initiative to attract more Asian businesses to the area. So the very first 626 Night Market was scheduled for April 2012, with plans to shut down a couple streets in Old Town Pasadena for the event.

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Hwang’s team was optimistic that they could get 8,000 attendees, but the Pasadena special events folks, who had years of experience planning signature events like the Tournament of Roses parade, tempered their expectations. As first-time organizers, they’d be lucky to get 500 people to attend, they were told. But come event time, Hwang says the team had mobilized hundreds of thousands of people — many of whom ended up stuck in long lines, trapped in walkways like sardines or unable to even get in.

If we had gotten 8,000 to 10,000 people throughout the day, it probably would have been OK,” says Hwang. “But people were coming from Orange County and Riverside, and all the way from San Diego and Las Vegas.” The surrounding freeways and side streets were packed. A police chopper had to monitor the traffic jams and crowds from above.

Though it seemed like a disaster to attendees (many of whom blasted the event through angry Yelp comments), business-wise, it was a huge success. Vendors were happy because they all sold out, and most importantly, it proved that there was a huge demand for a night market. The 626 team learned a lot of things, and soon, the other cities that had originally shunned their proposal came knocking.

Though 626 Night Market was not the first night market in America — Night Market Philadelphia, for example, though not focused on Asian cuisine, began in 2010 — it has made the biggest impact.

626 are the ones that really started this night market hype,” says Jeff Shimamoto of The Original Ramen Burger, whose ramen-bun burgers have been a fan favorite since his brother Keizo debuted it in New York in the summer of 2013. “Our type of food probably wouldn’t have existed in a regular food market. It’s when the Asian night markets started popping up that we were able to participate.

Shimamoto now has a brick-and-mortar of sorts, offering The Original Ramen Burger at a take-out window in Los Angeles’s Koreatown. Tonight, he’s hanging out at the adjacent Lock and Key bar with his fellow night market veteran friends, Phillip and Carol Kwan of Mama Musubi (who specialize in a gourmet version of onigiri rice balls, a popular Japanese snack) and Matthew Hui of Fluff Ice (a Taiwanese-inspired snowflake ice that takes flavored ice blocks and shaves them into what they call “frozen cotton candy”). They’re celebrating the end of another busy and successful night market season.

Since 626 debuted, night markets have opened up in other areas of Southern California, like Koreatown and Little Saigon in Westminster. Hwang himself was contacted for advice or collaboration requests from groups who wanted to start their own night markets in San Jose, San Diego and St. Paul. There are now night markets in Seattle, Honolulu and New York, and the list goes on. Even the team behind Studio City’s Sportsmen’s Lodge 1st Thursdays Night Market, who Hwang remembers jokingly called themselves “the white night market,” wanted in on the action. Now, you might be thinking, isn’t a Caucasian night market just … a fair? Like every single county fair in America? But this was just an indication of how the term “night market” was catching on. It had looped back into the mainstream.

Benjamin Kang, one of the organizers of the KTOWN Night Market and the MPK Night Market in Monterey Park, California (both debuted in 2014), believes it’s a good time for night markets because Asian culture is trending more than it ever has in America. “All my white friends want to come to Koreatown,” he says, laughing, citing the Koreatown episode of Anthony Bourdain’s CNN show Parts Unknown, as well as the numerous Asian American chefs on mainstream TV cooking shows. “They’re always asking me what the best Chinese or Japanese restaurants are in L.A.”

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I think the food industry revolves around the Asian population,” says Hui of Fluff Ice. “When all the Asian people think it’s cool, then the non-Asians flock to it. Because all the foodies on Yelp are Asian girls named Grace or Nancy.” He laughs. “The Yelp elite start reviewing all these places, and they become the definitive source.”

While 626 Night Market also had creative entertainment to go along with the food — Asian American performers, live art battles, eating competitions and the unveiling of the new Guinness World Record for the largest cup of boba milk tea — KTOWN Night Market made use of their Korean American showbiz connections, bringing together high-profile food celebrities, like the guys behind Seoul Sausage Company, who won Season 3 of the Food Network’s The Great Food Truck Race, as well as musicians like rappers Dumbfoundead and Shin-B. Six months later, KTOWN Night Market also hosted a Halloween Food Fest, where there were costume contests and carnival rides.

“Night markets in Asia are open all the time, so they don’t make a festival out of it,” says Shimamoto. “But here, they turn it into a big event, and that’s what makes it fun. We have concerts and beer gardens. And that’s why we get so many people concentrated at one time.”

The Kwans launched Mama Musubi at the first 626 Night Market in 2012. The brother-and-sister duo wanted to test the market and see what people thought about fresh Japanese rice balls. Would people get their gourmet version — with 24-hour braised Berkshire pork belly — or would they assume it was the same as the refrigerated kinds you can get at Mitsuwa supermarkets? Turns out, there was excitement for rice balls not only in the night markets but in non-Asian markets like the Altadena Farmer’s Market, where they are regulars. But though they work these markets and also cater, their ultimate goal is to launch their own store.

Similarly, The Original Ramen Burger started participating in night markets in Los Angeles because California foodies were asking for it. They do pretty well, but they see night markets as a transition into eventually running four to five restaurant franchises.

There are two crowds of vendors at the night market,” says Phillip Kwan. “Vendors like us who have long-term visions of opening up brick-and-mortars. And others that make a comfortable living for themselves doing festival-type events.”

Some vendors may have a full-time job on the side. Others might be there just for fun. “On the last day of the night market, there were these 15 Vietnamese ladies from Orange County [in the booth next to us],” remembers Shimamoto. “They showed up four hours before everybody else, and they were all perky and ready to go with all their juices. And they said, ‘We all go to the same church, and we decided we were going to come out here and try and sell some lemonade!’” He laughs. “And that’s great! Maybe they’re just doing it once a month for a little money. Or maybe they could become the next Mrs. Fields Cookies. Either way, they were just so happy to be there.”

Hwang encourages it all. “In the beginning, most of our vendors had stores, but we really encourage the ones who don’t,” he says. “It’s such a good platform for people to try new ideas for cheap. Just do it for one weekend. If it’s good and you like it, then do it again. Those are the types of food you can’t eat anywhere else. You have to go to our event to find them.”

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Phil and I think that the model for starting a restaurant is going to start changing,” says Shimamoto. “In Los Angeles, you see a lot of restaurants come and go. But [working the night markets] is a way you lower your overhead and costs, and it’s a great way to get some exposure while retaining flexibility to work on other things, like food trucks or developing your brick-and-mortar.”

Even Fluff Ice, which already had a store in Monterey Park when 626 first opened, found that attending night markets is just a good way to network, advertise and grow your business. “There’s just so many layers of income you can get with a business like this, whether it’s night markets, school fundraisers or Hollywood catering,” says Hui, who has catered for How I Met Your Mother, Parks & Recreation, The Office and the upcoming film Paranormal Activity 5. They now have four locations in Southern California.

But these Asian American night markets aren’t without its skeptics. In Taiwan, you go to the night market because you’re craving certain foods, whether it be oyster pancakes, ba-wan (Taiwanese meatballs wrapped in gelatinous dough) or aiyu jelly drinks. You’re also expecting a certain atmosphere — makeshift stalls where you see and smell the food being prepared right in front of you — and a certain experience, a.k.a. cheap stuff, whether it be food, shopping or games.

In the beginning, that was the source of some of the disappointment for night market goers in America. It didn’t look right — health codes in the U.S. require covered canopies so it looked like a typical fair. It’s not cheap: there’s usually a cover charge of $5 to $10 just to get in, and everything, even a tiny plate, usually costs at least $5 (which adds up!). And there was a random mix of foods, both Asian and non-Asian, that weren’t necessarily what you thought of as “street food.” (One vendor at a recent KTOWN Night Market was serving up 100 percent grass-fed, organic, pasture-raised Australian bone-in lamb.)

But I think that’s what makes us different in a good way,” says Hwang. “If you think about the night markets in Asia, it’s all the same foods. We always get a good amount of vendors that are new or tweaking their menu, and it’s exciting to see people experimenting with new things — whether it’s fusion foods like the ramen burger, pho tacos and new types of guabao [Taiwanese pork belly buns] — or if they’re bringing in traditional stuff that we never had before, like yam balls and chicken sausages. It’s a competitive marketplace, so you have to be creative. Don’t do the usual things, or if you do, figure out how you can do it differently.”

You can’t be stale,” agrees Carol Kwan, who recently collaborated with the Shimamoto brothers to create a one-month-only specialty mash-up: the Mama Musubi 24-hour Pork Belly Ramen Burger. “It’s the same even if you’re in a restaurant. You have to innovate and keep creating something new to keep people coming.”

That said, for every food item that’s worth waiting for in the night market lines, there are many, many more that are underwhelming and overpriced. It’s also hard to tell whether something is innovative or just gimmicky, and with so many copycat renditions of almost the same idea (there’s a reason Ramen Burger changed its name to The Original Ramen Burger), it’s tempting to assume the latter.

But one can only hope that the truly tasty, fusion or not, rises to the top — that the prevalence of night markets are giving those gems a place to grow and a community of like-minded food fans a place to gather.

One of the major pluses [of the night markets] is how it impacts the current and hopefully the next generation of Asian Americans,” says Christine Chiao, a food writer who’s contributed to LA Weekly and Sunset. “A regular or seasonal night market can be a platform for more than just the vendors. It can become a channel, too, for young Asian American attendees to seek and express their identity.”

So did Hwang ever imagine that the 626 Night Market he created would become such a cultural touchstone?

Not really,” he says. “At first I really did it for fun, as a side thing, because I knew it’d be something that people would enjoy. I never thought I’d end up working full time to produce night markets.” He laughs. “Who goes to college thinking that? It’s surreal.”

 

“Hello! Exploring the Supercute World of Hello Kitty”: The largest Hello Kitty retrospective ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

 

In celebration of the 40th anniversary of everyone’s favorite expressionless cat, the Japanese American National Museum in Los Angeles is hosting the largest ever retrospective on Hello Kitty to be held in the United States.

Titled “Hello! Exploring the Supercute World of Hello Kitty,” the exhibition encompasses a selection of rare and unique Hello Kitty-branded items chosen from the Sanrio archives, alongside contemporary artworks by artists including Buff Monster, Edwin UshiroPaul Frank and Kozyndan. In these art pieces, the iconic feline is reinterpreted into a number of wonderfully weird and wacky mélanges of disparate pop culture motifs, in doing so paying homage to Hello Kitty’s wide-ranging impact on art and culture throughout its 40 years in the limelight.

Curated by Christine Yano, author of Pink Globalization: Hello Kitty’s Trek Across the Pacific, and Jamie Rivadeneira, founder and owner of the Los Angeles pop culture boutique JapanLA, you can buy your tickets for this retrospective here before it ends in April 2015.

 

 

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

 Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Image of "Hello! Exploring the Supercute World of Hello Kitty" is the Largest Hello Kitty Retrospective Ever in America

Art Exhibition: “Hello! Exploring the Supercute World of Hello Kitty”

Angry Asian Man: 

Hello Kitty fans, make some plans to be in Los Angeles. The Japanese American National Museum invites you to Hello! Exploring the Supercute World of Hello Kitty, a special exhibition in celebration of the 40th anniversary(!) of pop icon Hello Kitty, running October 11 through April 26, 2015.

The first-of-its-kind exhibition will combine a product-based historical and sociological examination of Hello Kitty, including rare and unique pieces from Sanrio’s archives, with an installation of mixed media works by artists demonstrating Hello Kitty’s influence on contemporary art.

Hello! is curated by Christine Yano, PhD, author of Pink Globalization: Hello Kitty’s Trek Across the Pacific, and Jamie Rivadeneira, founder and owner of the Los Angeles pop culture boutique JapanLA. The exhibition’s six-month run will also include lectures, panel discussions and workshops.

Here are some more details about the exhibit:

Hello! Exploring the Supercute World of Hello Kitty

October 11, 2014 – April 26, 2015

Japanese American National Museum
100 N Central Ave
Los Angeles, California 90012

The Japanese American National Museum and Sanrio present Hello! Exploring the Supercute World of Hello Kitty, the world’s first large-scale Hello Kitty museum retrospective.

This unprecedented two-part exhibition includes an extensive product survey with rare and unique items from the Sanrio archives, curated by Christine Yano, PhD, and author of Pink Globalization: Hello Kitty’s Trek Across the Pacific. It also features a selection of innovative contemporary artworks inspired by Hello Kitty and her world, curated by Jamie Rivadeneira, founder and owner of the Los Angeles pop culture boutique JapanLA.

Organized as part of the global icon’s 40th-anniversary celebrations, Hello! examines the colorful history of Hello Kitty, her influence on popular culture, and her evolution from a simple Japanese children’s graphic to a wildly successful lifestyle brand bridging east and west and crossing multiple generations.

Tickets on sale September 29, 2014.
http://www.janm.org/hellokitty

Hello! Exploring the Supercute World of Hello Kitty is a specially ticketed exhibition.

The exhibition is a key element among several events and collaborations celebrating Hello Kitty’s 40th Anniversary. These also include Hello Kitty Con 2014, a convention at the Geffen Contemporary at MOCA, running October 30 to November 2; new product releases, including limited addition 40th anniversary collectibles; and Hello Kitty appearances around the globe in support of the Share a Hug with Hello Kitty! campaign. Further details and updates about Hello Kitty’s 40th Anniversary celebration can be found here.

For further information about the Hello! exhibition, visit JANM’s website.

Ramen Burger hits LA with brick and mortar location in K-Town

Ramen Burger

FoodBeast:

 

The famous Ramen Burger has hit LA several times now, most recently at the DTLA Night Market, but it looks like Keizo Shimamoto is looking to make his signature creation a staple here in SoCal.

Ramen Burger LA’s new location will take over a walk-up window in K-Town currently known as Stall 239. The stall serves fusion style grub to night owls wandering the streets of LA but will serve favorites from Shimamoto’s menu, including his new Ramen Fries, during two soft opening events on July 5 (1:00PM-6:00PM) and July 13 (2:00PM-8:00PM) ahead of its August 1, 2014 official soft opening.

The location is fairly small so we’re assuming lines these next two weekends will be pretty long for the East Coast transplant. Hopefully Shimamoto gauges how to deal with the crowds before the first Ramen Burger LA location opens.

 

Link

Peking Tavern: Chinese Gastropub in Downtown L.A.

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Gastropubs are nothing new to the growing downtown Los Angeles nightlife scene, but rarely do you stumble across one that’s Asian-themed, or even more rare, specifically Chinese.

Peking Tavern is doing just that. Owned by Andrew Wong and Andrew Chiu of restaurant hospitality group El Guapo, the tavern is bringing in traditional Chinese dishes and serving them in xiaochi (small bites) form.

The two Andrews are no strangers to Chinese fare. Chiu, whose mother and wife were both born and raised in Beijing, spent six years at the Chinese capital in the ’90s; Wong comes from a family of Chinese restaurateurs. Architects by trade, they designed the space to channel the hutongs (traditional neighborhoods characterized by narrow alleyways) of Beijing and the old Chinatowns of yesteryear.

Bright red lamps grace the counters, weighed down by copper-toned Chinese guardian lions. Sauce dispensers are scattered throughout the restaurant and equipped appropriately with vinegar, soy sauce, sambal chili, and chili oil. The setup at Peking is a bit different from most bars, but is simple enough: order at the counter, grab a number, and wait for the food to be brought to you.

Drink concoctions are designed by Cari Hah — previously of The Varnish and Blue Whale — and she has made sure that all the cocktails come brimming with Chinese flair. While there are craft brews on tap, including Yanjing (a lager from Beijing), we recommend going straight for their eclectic mix of cocktails. Most notable are the whiskey spirits flavored with bitters that include five-spice, and baijiu (direct translation: white liquor). Baijiu, at roughly 40 to 60 percent alcohol, is distilled from sorghum and is famous (or infamous, depending on who you’re talking to) for its fuel-like odor and lingering aftertaste. Hah mixes it expertly with rum and flavors it with either horchata, yogurt or hibiscus. The baijiu brand that they use — Red Star Er Guo Tou Jiu — hails directly from Beijing.

It’s a common man’s spirit,” Chiu said. “It’s an acquired taste but we’re introducing it in a form of a cocktail.”

The bar menu is only six to seven items strong and all of the offerings are no-frills traditional Northern Chinese bites. What that means in a nutshell: lots of dough, noodles, and dumplings. The dumplings and noodles are handmade at a glassed-in station near the door. The chefs, Danny and Ms. Liu, are from Hong Kong and Tianjin, respectively. Danny was a former head noodle chef at Mr. Chow and has formal training in Japan under his belt. Ms. Liu, who consults on the dough texture of the dumpling, has worked at various San Gabriel Valley dumpling houses. While Peking Tavern doesn’t take any fusion liberties with the recipes, they are planning to release gluten-free dumplings soon.

Check out this link:

Peking Tavern: Chinese Gastropub in Downtown L.A.

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