The Los Angeles Philharmonic presents West Coast premiere of Unsuk Chin’s opera “Alice in Wonderland,” featuring Libretto co-written with David Henry Hwang

David Henry Hwang. Photo by Lia Chang

 

Backstage Pass with Lia Chang:

The Los Angeles Philharmonic presents the West Coast premiere of Unsuk Chin’s daring Alice in Wonderland at Walt Disney Concert Hall, Friday and Saturday, February 27 and 28, at 8 pm. The Walt Disney Concert Hall is located at 111 South Grand Avenue, Los Angeles, CA 90012 (Get Directions Online). Click here for tickets.

The ground-breaking, fully-staged opera, written by composer Unsuk Chin and Tony Award winning playwright David Henry Hwang, America’s most-produced living opera librettist who is best known for his critically acclaimed Puccini-inspired Broadway play M. Butterflyoffers a new remix of the Lewis Carroll story.

Under the guidance of director/designer/video artist Netia Jones and with visual material derived from the illustrations of Fear and Loathing in Las Vegas gonzo-artist Ralph Steadman, Alice in Wonderland offers the audience a collision of styles and influences set on a black and white chessboard floor and featuring the orchestra as part of the set. Jones combines Steadman’s illustrations with live action, interactive animated projections that inhabit the scene alongside the performers, eye-popping costumes and choreography to bring to life Chin’s brilliant take on the Carroll fantasy.

Conductor Susanna Mälkki

Conductor Susanna Mälkki leads the LA Phil in Alice in Wonderland. The cast includes soprano Rachele Gilmore as Alice and other performers listed below. The performance also features members of the Los Angeles Opera Chorus and the Los Angeles Children’s Chorus.

Susanna Mälkki, conductor
Netia Jones, director, costume and set design
Ralph Steadman, illustrations
Netia Jones/Lightmap, projection design
Mark McCullough, lighting designer
Jemima Penny, costume realization
Peggy Hickey, choreographer
Rachele Gilmore, Alice
Marie Arnet, Cheshire Cat
Dietrich Henschel, Mad Hatter
Andrew Watts, White Rabbit/Badger/March Hare
Christopher Lemmings, Mouse/Dormouse
Jenni Bank, Duchess
Jane Henschel, Queen of Hearts
Stephen Richardson, Old Man/Crab/King of Hearts
Nicholas Brownlee, Old Man/Eaglet/Fish-Footman/Off-Stage Voice
Lacey Jo Benter, Owl/Two
Rafael Moras, Pat/Cook/Invisible Man
Kihun Yoon, Five/Executioner/Duck
Andrew Craig Brown, Dodo/Frog-Footman/Seven
David Finch, Bill/Mock Turtle
Julian Bertet, Young Boy
Chris Bonomo, Francisco Cardeña, Cesar Cipriano, Eros Mendoza, Jee Teo, and John Todd, supernumeraries
Members of the Los Angeles Opera Chorus, Grant Gershon, Chorus Director
Los Angeles Children’s Chorus, Anne Tomlinson, artistic director
Michael Vitale, stage manager
Jean-Michaël Lavoie, assistant conductor
Vanessa Dionne, makeup design
Taylor Ruge, assistant director
John Todd, assistant choreographer
Nikki Hyde, assistant stage manager
Lindsay Lowy, assistant stage manager
Ian Winters, video technical consultant
Emma Keaveny-Roys, UK costume assistant
Richard Valitutto, rehearsal pianist

Alice in Wonderland is part of the LA Phil’s new in/SIGHT series, which features concerts enhanced with video installations, and in some cases, additional artistic elements for a complete and immersive experience. The remaining in/SIGHT presentation in the 2014/15 season is: Beryl Korot and Steve Reich’s Three Talesperformed by Ensemble Signal, led by their music director Brad Lubman (May 29, 2015).

As a much sought-after artist on the international conducting circuit, Susanna Mälkki has a versatility and broad repertoire have taken her to symphony and chamber orchestras, contemporary music ensembles and opera houses across the world. She has recently been appointed Chief Conductor of the Helsinki Philharmonic Orchestra, effective from the 2016/17 season. The 2014/15 season marks Mälkki’s second season as Principal Guest Conductor of the Gulbenkian Orchestra, which includes a gala opera evening with soprano Karita Mattila, Sibelius’ Tapiola and Mahler’s Symphony No. 9. Later in the season she conducts Shostakovich’s Cello Concerto No. 1 with Natalia Gutman and Bartók’s Concerto for Orchestra. Also in the 2014/15 season Mälkki debuts with the Philadelphia, Cleveland and New York Philharmonic orchestras, Chamber Orchestra of Europe and La Fenice. In addition, she returns to the San Francisco Symphony, Helsinki Philharmonic and Royal Stockholm Philharmonic orchestras.

Netia Jones

Described by The Observer newspaper as “the most imaginative director of opera working in Britain today” Netia Jones is a director, designer and film-maker in opera, theatre and classical music. A “leading pioneer in integrating film and video into live music performances” (Times), she is the Director of Lightmap, a mixed media creative studio working in the UK, Europe and the U.S.

Recent projects include Curlew River with Ian Bostridge for Lincoln Center, CalPerformances, Carolina Performing Arts, and the Barbican London, Feldman’sWords and Music for Happy Days at International Beckett Festival in Ireland, and Kurtág’s Kafka Fragments for The Royal Opera House. Future projects include a new production of Atthis by Georg Frederich Haas for the Royal Opera House, Covent Garden, London, Les Illuminations with Daniel Harding for the Swedish Radio Symphony Orchestra and a new staged production of Hans Zender’s orchestral interpretation of Schubert’s Winterreise with Ian Bostridge at the Barbican Theatre.

Unsuk Chin. Photo by Eric Redmond

Unsuk Chin

Unsuk Chin was born in 1961 in Seoul, South Korea, and has lived in Berlin since 1988. Her music has attracted international conductors including Simon Rattle, Gustavo Dudamel, Kent Nagano, Esa-Pekka Salonen, David Robertson, Peter Eötvös, Neeme Järvi, Markus Stenz, Myung-Whun Chung, George Benjamin, Susanna Mälkki, François -Xavier Roth, Leif Segerstam and Ilan Volkov, among others. It is modern in language, but lyrical and non-doctrinaire in communicative power. Chin has received many honours, including the 2004 Grawemeyer Award for Music Composition for her Violin Concerto, the 2005 Arnold Schoenberg Prize, the 2010 Prince Pierre Foundation Music Award, and the 2012 Ho-Am Prize.

She has been commissioned by leading performing organisations and her music has been performed in major festivals and concert series in Europe, the Far East, and North America by orchestras and ensembles such as the Berlin Philharmonic, BBC Symphony Orchestra, Chicago Symphony Orchestra, London Philharmonic Orchestra, Philharmonia Orchestra, Boston Symphony Orchestra, City of Birmingham Symphony Orchestra, Orchestre Philharmonique de Radio France, Los Angeles Philharmonic Orchestra, London Sinfonietta, Ensemble Intercontemporain, Ensemble Modern, Kronos Quartet and Arditti Quartet. In addition, Unsuk Chin has been active in writing electronic music, receiving commissions from IRCAM and other electronic music studios.

In 2007, Chin’s first opera Alice in Wonderland was given its world première at the Bavarian State Opera as the opening of the Munich Opera Festival and released on DVD by Unitel Classica. Her second opera Alice Through the Looking Glass is commissioned by The Royal Opera in London for premiere in the 2018/19 season. Since 2006, Chin has overseen the contemporary music series of the Seoul Philharmonic Orchestra, a series which she founded herself. Since 2011, she has served as Artistic Director of the ‘Music of Today’ series of the Philharmonia Orchestra in London. Portrait CDs of her music have appeared on Deutsche Grammophon, Kairos and Analekta.

David Henry Hwang‘s work includes the plays M.ButterflyChinglishYellow FaceGolden ChildThe Dance and the Railroad, and FOB, as well as the Broadway musicals Aida (co-author), Flower Drum Song (2002 revival), and Tarzan. Upcoming productions include two new musicals: The Forgotten Arm, with music and lyrics by Aimee Mann and Paul Bryan, for the Public Theater; and Pretty Dead Girl, with music and lyrics by Anne-Marie Milazzo.

As America’s most-produced living opera librettist, he has written four pieces with composer Philip Glass, including The Voyage (Metropolitan Opera, 1992), as well as Osvaldo Golijov’s Ainadamar (two 2007 Grammy Awards), Bright Sheng’s The Silver River (1997), Unsuk Chin’s Alice in Wonderland (2007 “World Premiere of the Year” by Opernwelt magazine), Howard Shore’s The Fly (2008) and Huang Ruo’s An American Soldier (2014). Upcoming operas include Through the Looking Glass with Unsuk Chin for the Royal Opera House Covent Garden and Dream of the Red Chamber with Bright Sheng for the San Francisco Opera.

Mr. Hwang penned the screenplays for M. Butterfly (1993), starring Jeremy Irons and John Lone; Golden Gate (1994), starring Matt Dillon and Joan Chen; and Possession (co-writer, 2002), starring Gwyneth Paltrow and Aaron Eckhart. With the pop star Prince, he co-wrote the song “Solo,” released on Prince’s 1994 gold album Come. He is currently writing a feature film for Dreamworks Animation and the film adaptation of Chinglish, to be directed by Justin Lin (Better Luck Tomorrow, the Fast & Furious franchise), as well as creating an original television series, “Shanghai,” for Lions Gate and Bravo.

Hwang is a Tony Award® winner and three-time nominee, a three-time Obie Award winner, and a two-time Finalist for the Pulitzer Prize. He received the 2011 PEN/Laura Pels Award, the 2012 William Inge Award, the 2012 Steinberg “Mimi” Award, and the 2014 Doris Duke Artist Award, and recently completed his the Residency One Playwright term at NYC’s Signature Theatre, which produced a season of his plays, including the world premiere of his newest work Kung Fu in February 2014. He serves as President of Young Playwrights Inc, and sits on the boards of the Lark Play Development Center, The American Theatre Wing, and The Actors Fund.

 

James Shigeta, top Asian-American actor of early ’60s and ‘Die Hard’ co-star, dies at 81

He starred in such films as “The Crimson Kimono,” “Flower Drum Song,” “Cry for Happy,” “Bridge to the Sun” and, later, as a terrorized executive in the Bruce Willis movie.

James Shigeta, a top Asian-American actor of the early 1960s who starred in the Rodgers & Hammerstein musical Flower Drum Song, died Monday in Los Angeles, publicist Jeffrey Leavitt announced. He was 81.

The handsome Hawaiian, who later appeared as the ill-fated chief executive of the Nakatomi corporation in the Bruce Willis action film Die Hard (1988), had a great two-year run in Hollywood starting in the late 1950s.

Shigeta made his feature debut in Sam Fuller’s Los Angeles-set noir The Crimson Kimono (1959), playing a young detective, and followed that by portraying a young Chinese man in the American Old West who battles a freight line operator (Jack Lord) over a woman in James Clavell’s Walk Like a Dragon (1960).

Shigeta then starred with Glenn Ford and Donald O’Connor as American Navy men billeted in a Tokyo geisha house in director George Marshall’s Cry for Happy (1961). And in Bridge to the Sun, he portrayed a Japanese diplomat who is married to an American (Carroll Baker) at the time of the bombing of Pearl Harbor.

In Flower Drum Song (1961), set in San Francisco and directed by Henry Koster, Shigeta plays Wang Ta, who’s dazzled by a showgirl (Nancy Kwan) before he realizes an immigrant from China (Miyoshi Umeki) is really the one for him. A natural baritone, Shigeta did all his singing in the film.

The Golden Globes in 1960 named him (along with Barry Coe, Troy Donahue and George Hamilton) as “most promising male newcomer.”

Shigeta later had recurring roles on the 1969-72 CBS drama Medical Center and appeared on episodes of Ben Casey, Lord’s Hawaii Five-OEllery QueenLittle House on the PrairieFantasy IslandT.J. HookerThe Love BoatMagnum, P.I.Simon & SimonJake and the Fatman and Murder, She Wrote.

His film résumé includes Paradise, Hawaiian Style (1966) with Elvis PresleyNobody’s Perfect(1968), Lost Horizon (1973), Midway (1976), Cage (1989) and the animated Mulan (1998).

Born in Honolulu of Japanese ancestry on June 17, 1933, Shigeta moved to New York and studied at New York University, then joined the U.S. Marine Corps and fought during the Korean War.

He relocated to Japan and became a star on radio and television in that country, then returned to the U.S. to sing on The Dinah Shore Show in 1959. Also that year, he starred with Shirley MacLaine in a production of Holiday in Japan in Las Vegas.

Link

Playwright David Henry Hwang joins faculty at Columbia

 

AsAm News: 


Columbia University has announced that Tony award winning playwright David Henry Hwang has joined its faculty of the Arts.

I’m thrilled for this opportunity to serve the MFA playwriting students at Columbia, helping them develop their own unique and idiosyncratic voices, and building a practical foundation for their future lives in the theatre,” said Hwang.

The announcement came on the same day the University hired Pulitzer Prize winning playwright Lynn Nottage.

David Henry Hwang and Lynn Nottage are among the most influential and accomplished American dramatists of the past several decades,” said Christian Parker, Chair of the Master of Fine Arts Theatre Program at Columbia University School of the Arts. “Both have contributed immeasurably to making the stories of underrepresented characters visible in a historically homogeneous field. Each of them brings a passion for the possibilities for social dialogue that can stem from great theatrical storytelling, and a great sense of generosity and rigor about training a new generation of artists.

Hwang’s works include M. ButterflyChinglishGolden ChildYellow FaceThe Dance & the Railroad and FOB, as well as the Broadway musicals Aida (co-author), Flower Drum Song (2002 revival) and Disney’s Tarzan.

 

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Playwright David Henry Hwang joins faculty at Columbia