Godzilla: The new ‘Resurgence’ trailer

Godzilla: Resurgence” marks a number of firsts in the kaiju franchise. The film’s a hard reboot, meaning that it depicts Godzilla’s first destructive encounter with humanity for a whole new generation. It’s also the first “Godzilla” film produced by Toho Co., Ltd. in twelve years. Now a new trailer for “Godzilla’s” big return/debut, which is titled “Godzilla: Resurgence” in the United States, has been released.

The new film comes from directing team Hideki Anno (“Evangelion”) and Shinji Higuchi (“Attack on Titan”). Anno also wrote the script, which features the largest Godzilla in movie history. Now Godzilla stands 389 feet fall, making him even taller than Hollywood’s most recent take.

Godzilla enjoyed an American reboot with 2014’s “Godzilla” directed by “Rogue One: A Star Wars’” Gareth Edwards, which grossed more than half a billion dollars worldwide. A sequel is currently in development and is scheduled to arrive June 8, 2018.

Shin Godzilla” stomps its way into Japan’s theaters on July 29, 2016. No U.S. release date has been announced.

Godzilla and fellow kaiju monsters apologise at Japanese press conference for acts of destruction

2

RocketNews 24 (by Oona McGee):

And every formal Japanese-style apology comes with a heartfelt bow.

The world of gachapon vending machine capsule toys just got even weirder with a new lineup of figurines from top Japanese toy producer Bandai. Called the “Godzilla Toho Monsters Press Conference”, the series depicts Godzilla, along with three other kaiju monsters from the acclaimed movie production and distribution company Toho, all appearing at fictional press conferences, complete with microphone stand and name plaque. These types of formal apologies are commonly seen on television news reports around Japan, in cases where high-profile politicians and celebrities formally atone for scandals and wrongdoings, expressing remorse to the public with deep, heartfelt bows. Only this time, it’s a group of well-known movie monsters making amends for their actions.

▼ Here, Mechagodzilla bows deeply, in formal stance with his hands by his side. At the front of the table is a scroll that reads “Hakai Koui” or “Acts of Destruction“, so the public can know exactly what he’s apologising for.

3

▼ Godzilla’s archenemy King Ghidorah bows all three heads in regret.

5

Hedorah, also known as The Smog Monster, is the only one to forgo the formal bow, replacing it instead with a long stare into the crowd with vertical red-and-yellow eyes.

Together, these figures create one of the funniest and most bizarre monster scenes we’ve ever seen. Available at gachapon capsule toy vending machines around the country from the end of June, these will be on sale for 300 yen (US$2.92) each.

1

Godzilla PS3/PS4 game’s release set for July

Godzilla PS3/PS4 game’s release set for July

Anime News Network:

Bandai Namco Games announced it will release the new Godzilla game on PlayStation 3 and PlayStation 4 in North America and Europe in July.

The game will get a retail release for PlayStation 4 in North America and Europe and a PlayStation 3 release via the PLAYSTATION Network.

Players will be able to control both the classic TOHO version of the monster and the 2014 American film Godzilla in the game. The game will also feature the Type 92 Maser tanks, Super X 2, Super X III, Super Mecha Godzilla, and MFS-3 — as well as Godzilla’s rivals: King Ghidorah, Biollante, Mothra, Mecha Godzilla, Jet Jaguar, Hedorah, and Destoroyah.

The “ultra-destructive Godzilla action” game commemorates the 60th anniversary of the titular monster by letting you play the monster itself against human civilization, as you clear missions by destroying buildings and weapons. The game recreates the camera angles that invoke the sense of scale, the fireworks explosions, and the latest techniques from the original tokusatsu (special effects) films.

Famitsu magazine described a backstory that takes its cues from TOHO‘s first Godzilla movies: Godzilla, who appeared in Tokyo in 1954 and was brought down by the secret weapon Oxygen Destroyer, has somehow made landfall again. As the players complete missions to destroy civilization, Godzilla will increase size and physical strength. Godzilla starts at 50 meters (164 feet) and can grow to double that size. Players gain points when Godzilla destroys the town, but the resistance from humanity becomes more difficult as the game goes on.

Godzilla for the PlayStation 3 arrived in Japan on December 18 for 7,600 yen (about US$64). The first copies of the game included an early unlock code for the Hollywood Godzilla (2014) as a bonus extra. Pre-orders included one of three randomly distributed “Heat Up Godzilla” reproductions of theater bonus figurines.

‘Godzilla’ (2014) Retold as an 8-bit Animated video game

 

CineFix has released a new episode of 8-Bit Cinema that retells the 2014 Godzilla reboot film in the form of an 8-bit animated video game. It was written and animated by David Dutton of Dutton Films with music by Henry Dutton.

Godzilla x Medicom Toy 1000% Bearbrick

Image of Godzilla x Medicom Toy 1000% Bearbrick

To mark the upcoming release of the new Godzilla film, the franchise has partnered with Medicom Toy to create a Bearbrick version of the iconic monster. The bearbrick features a blue body with Godzilla’s scales and plating across the front and back, while the figure’s face sports a menacing grin.

Pictured here in 1000% form, the Godzilla bearbrick is also available in 400% size. Look for the figure here.

How the 2014 ‘Godzilla’ Film Should Have Ended:

 

The latest animated episode of How It Should Have Ended (HISHE) features an alternate ending for the 2014 sci-fi monster film Godzilla. Character art and animation were created by Daniel Baxter with further animation by Chris Oldenburg, and background artwork by Otis Frampton.

Video

Godzilla! Nissan R35 GTR

Vossen Wheels presents a look at its latest VFS2 Gloss Graphite Wheels as mounted on a custom Nissan R35 GTR “Godzilla edition. The wheels, along with the rest of the new VF series are manufactured using Vossen’s patented flow forming technology that improves the grain structure of the aluminum, resulting in a stronger, lighter and thinner rim barrel.

As for the ride, the converted rear-wheel drive R35 is owned by Jeremy Rohrs of South Side Performance and features a neo-chrome dip paint job among a host of other special mods that boost the car to 605 RWHP and 598 lb/ft of torque.

Link

Meet the “Expendable Asian Crewmember”: From “Godzilla” to “X-Men” to “Total Recall,” why does every blockbuster need a single Asian guy to kill off?

 

He's in every action movie -- but not for long: Meet the Expendable Asian CrewmemberKen Watanabe in “Godzilla”

Salon:

 

Fans of the original “Star Trek” television series, which aired from 1966 to 1969, are familiar with the old trope of the expendable Asian crewmember. Every week, one or two unlucky marginal characters, wearing the red shirt of a Security Officer, would join a landing party that usually consisted of Captain James Kirk, First Officer Spock, and Dr. Leonard “Bones” McCoy from the starship USS Enterprise. The trio would beam down to the planet’s surface along with the Expendable Crewmember – who would promptly get killed off by a space monster/mysterious sentient cloud/primitive hostiles. The Expendable Crewmember became such a routine part of the storyline that it was spoofed on the animated television show “Family Guy,” and became a running joke in the 1999 film “Galaxy Quest,” in which Sam Rockwell’s character, “Crewman no. 6,” is a nervous wreck named Guy, so forgettable to everyone that even he knows he’s doomed to die.

As little kid, I found it a bit odd that the Klingons always missed Kirk and hit the guy in the red shirt standing next to him. And as I got older, I couldn’t help but notice two strange trends beginning to pop up in Hollywood summer blockbusters: 1) Random storylines would detour to someplace in Asia for no particularly good reason, and 2) One useless Asian character – only one – would show up and stick around just long enough to make a vague impression as a villain. Then he or she would die at the hands of the good (white) guys, who would then march off victoriously into the sunset.

Now, it has been pointed out to me that the business of killing off villains is an equal-opportunity plot device, and Asian people are not being singled out for horrible deaths. Which is true. It’s long been the case that Hollywood casts ethnic minorities as bad guys so their heads can be blasted off. In horror films, there is also the bimbo rule, which requires hot blondes to get killed off first. This is neither racist nor sexist (see no. 7 on this list, John Cho, hot blond), but the norm.

The Expendable Asian Crewmember is different from the phenomenon known as the “Asian sidekick,” whose ranks include Cato in the “Pink Panther” film series from the ’60s and ’70s and remade in 2006; Kato in the “Green Hornet” television series from the ’60s, remade as a film in 2011; Mr. Miyagi in “The Karate Kid,” 1984, remade and moved from California to China, 2010; and the mutant Yukio in “The Wolverine,” 2013. But the vast majority of blockbuster film franchises have no Asian characters in them at all. In general, both New York City and The Future are curiously free of Asians except for Maggie Q, whose time-traveling powers enable her to pop up briefly in “Divergent,” 2014. There are so few Asians in the galaxy inhabited by Star Wars that a hilarious blog, “You Offend Me You Offend My Family,” has scoured the entire franchise for signs of Asian life. The results were: one rebel officer, and a dubious claim that Admiral Ackbar, fearless cephalopod leader of the Rebellion, was “Asian-like.”

Which brings me to the 2013 “Star Trek” reboot, with Zoe Saldana as Lt. Uhura and John Cho as Lt. Sulu, plus loads of “Asian-like” aliens, including Vulcans. When the most diverse cast in a Hollywood summer blockbuster happens to be based on a television show that debuted a half century ago, it’s better to be the Expendable (Asian) Crewmember than not be allowed on board at all. But I’m hoping it won’t be another 50 years before Mr. Sulu not only takes the helm but gets his own ship – and can star in his own film.

Here is a mere sampling of the Expendable Asian Crewmembers I’ve spotted over the years:

X-Men 2: X-Men United,” 2003. Yuriko. The perfectly coiffed, impeccably manicured and silent assistant to evil mastermind Stryker, Yuriko turns out to be a super-villain called Lady Deathstrike whose abilities closely parallel those possessed by the Wolverine. Wolverine kills her by injecting her with the rare metal adamantium in its liquid form.

X-Men 3: The Last Stand,” 2006. Kid Omega. As the Mutant Brotherhood organizes against humans, Kid Omega becomes one of Magneto’s new recruits. Played by Ken Leung, he can project spikes out all over his body in the manner of an angry porcupine. He dies in a blast of psychokinetic energy unleashed by the super-mutant, Jean Grey/Phoenix.

Mission Impossible III,” 2006. Zhen Lei. Played by Maggie Q, this femme fatale joins the “Impossible Mission Force,” experiences a staged death, and disappears from the story. The fact that she is Chinese does not explain why the action relocates to Shanghai as opposed to, say, Southern California, which is also inhabited by white heroes plus a few Chinese people eating noodles.

Live Free or Die Hard,” 2007. Mai Lin. Once again played by Maggie Q, Mai Lin is a cyber-terrorist with nefarious plans that vaguely involve computer hacking. Bruce Willis blames her for the awful script and throws her down an elevator shaft.

The Dark Knight,” 2008. Lau. Played by Chin Han, Lau is a mob accountant who hides the mob’s money and flees to Hong Kong for the express purpose of getting Batman to Asia for an extended tourist commercial involving many tall, sleek skyscrapers. Batman brings Lau back to the U.S., where he is killed by the Joker.

X-Men Origins: Wolverine,” 2009. Agent Zero. A mutant expert marksman, Agent Zero, played by ethnic Korean actor Daniel Henneynot only looks fine in a tailored black suit, he has better hair than Wolverine. After many tries, Wolverine finally succeeds in mussing his rival’s hair by downing his helicopter and blowing it up.

Total Recall (remake), 2010. Bob McClane. Played by John Cho, better known as Lt. Sulu from the “Star Trek” reboot, Bob gets killed off when he stupidly asks secret agent Doug Quaid about his feelings. This taboo question prompts a police raid that results in everybody except Quaid getting shot.

Pacific Rim,” 2013. My friend Minsoo Kang, who is an expert on the history of automatons, told me that not one but “two Chinese robot operators” show up and get crushed when monsters mash their robots. (They die at the same time and don’t have names, so I will count them as one.) Not only does this film have a female lead played by Japanese actress Rinko Kikuchi, but it’s set in Hong Kong, which gets smashed by machine-monsters. This film didn’t do very well in the U.S. but did extremely well in Asia (e.g., China, Korea and Japan). As summed up by Forbes, Pacific Rim was “the rare English-language film in history to cross $400 million while barely crossing $100 million domestic.”

Red 2,” 2013. Han Cho-Bai. He is an international assassin sent to kill retired black-ops CIA agent Frank Moses. Moses is played by Bruce Willis, so you know he doesn’t get killed off. Neither does Han Cho-Bai (played by Korean actor Lee Byung-Hun), because he’s a red herring who is really a disguised sidekick. Though I enjoyed the display of his martial arts skills, he’s got no business being in this film except to sell tickets. It made nearly twice as much in foreign receipts as it did in the U.S., and the bulk of those tickets were sold in Japan and South Korea.
 Could there be a theme developing here? Why, yes! And it leads directly to…

Godzilla (remake), 2014. Dr. Serizawa. Played by the legendary Ken Watanabe, the Serizawa character appears in the 1954 version set in Japan, where he unexpectedly dies. Crucially, the original Godzilla hit U.S. theaters around the same time as the first wave of Asian immigrants, in the aftermath of WWII and the Korean War. Sixty years later, the newer, sexier version of the giant lizard suggests that Godzilla is a strong, charismatic, assimilated Asian-American who wants his own starring role in a summer blockbuster without so much goofy metrosexual makeup. And just as some of the funniest Internet memes focus on the giant lizard’s new Hollywood look, it’s not a done deal that Serizawa’s character gets killed off this time around, even if he is the only Asian character with a name, thus adhering to the one-Asian rule. I guess you could call that progress.

 

Check out this link:

 

Meet the “Expendable Asian Crewmember”

Link

A fascinating exploration of the evero-increasing size of Godzilla

 

Godzilla Size

Laughing Squid:

Researcher and writer Craig McClain explores the constantly increasing size of Godzilla according to Cope’s rule in a recent article at Deep Sea News. McClain’s article, which is at least partially in response to a similar one from earlier this year at Wired, concludes that Godzilla should be 288.4 meters tall in 2050 rather than the 170 meters suggested previously.

In 1954 Godzilla was a mere 50 meters (164 ft). In the newest movie, Godzilla is estimated to be 150 meters (492 ft). For comparison the Empire State Building in New York City stands at 381 meters (1250 ft). Incarnations of Godzilla went from 13% of the height of the Empire State Building to nearly 40% of the height in just 60 years. It took cetaceans 55 million years to go from 2.5 meters (8.2 ft) to 30 meters (98 ft) in length.

image via Deep Sea News

Check out this link:

 A fascinating exploration of the evero-increasing size of Godzilla